Films at 59, one of the UK’s leading post houses, has installed a Pixit Media PixStor scalable storage platform to support its 4K high-end grading and finishing work. Founded in 1990, Films at 59 is an award-winning pre- and post-production house, with sites in Bristol and Cardiff and collaborative working relationships worldwide. Delivering across all genres, the company is renowned for its achievements in high-end broadcast, particularly in factual entertainment and natural history.
Studio Canal, a subsidiary of Canal+ Group, has deployed Nagra’s NexGuard forensince watermarking technology to protect the international distribution of its content.
Deluxe Entertainment Services Group has signed a multi-year, strategic collaboration with Amazon Web Services to offer faster and at-scale solutions for content creators and distributors. Additionally, Deluxe selected AWS as the company’s primary cloud provider, fully integrating AWS services to enable end-to-end content solutions offered via the Deluxe One platform.
Deluxe Entertainment Service Group today published a whitepaper that explores the integral role data plays in powering the cloud and automating the flow of content throughout the digital media supply chain. In order to provide a high-quality, consistent and personalized end-user experience that meets the increasing demands of global consumers, Deluxe has integrated the cloud throughout its operations and discusses how full integration is more important than ever in its whitepaper.
Éclair today announced the launch of ÉclairSend, its new, pay-as-you-go online large file transfer and transcoding service developed with film and audiovisual industry professionals. The browser-based ÉclairSend platform enables producers, distributors, filmmakers, broadcasters and non-industry professionals anywhere in the world to easily manage their files and assets, convert videos and deliver any type of content, without size restriction.
Christopher Ray, colorist at Picture Shop, joined director Albert Hugues’s epic adventure last year on Alpha, setting the looks on-set with FilmLight Daylight. His collaborative work with Technicolor senior colorist Maxine Gervais relied heavily on creativity and on the Daylight-Baselight Base Linked Grade exchange. Digital Cinema Report recently spoke with Ray about the experience.
On Saturday night at its annual Scientific and Technical Awards Presentation, the Academy of Motion Picture Arts and Sciences honored PIX with a Technical Achievement Award. The award recognized Eric Dachs, founder and CEO; Erik Bielefeldt, director of research and development; Craig Wood, technical director; and Paul McReynolds for the design and development of the industry leading security mechanism for distributing media. Prior to the awards ceremony, Digital Cinema Report spoke exclusively with Bielefeldt and Wood to talk about the company’s continued innovation in the evolving world of content collaboration from film to digital to next-generation data rich requirements.
Éclair today announced that its Éclair Preservation initiative, which is dedicated to the secure conservation and management of digital and analog media for the film & television sectors, is in accordance with France’s new National Centre for Cinema and the Moving Image (CNC) bylaws. In effect since January 1, the regulation related to feature film production funding requires all recent and upcoming productions applying for financial support from the organization to subscribe to CST-compliant (RT 043) conservation contracts to safeguard the media’s long-term viability.
The New York facility of Eurofins Digital Media Services has been granted a Certification in Dolby Vision Quality Control Services. Eurofins is the first dedicated Dolby Vision quality assurance facility on the East Coast, meeting the growing demand for quality control and testing services in New York City.
Technicolor PostWorks New York and Prasad Corporation have formed a strategic partnership to provide full-service film scanning and digital restoration services in 8mm, Super8, 16mm, 35mm, 65mm, 2K, and 4K for archival preservation purposes for classic independent films readying for re-release.