Emmy Award-winning cinematographer Frank Prinzi ASC chose Panasonic VariCam 4K cinema cameras to shoot The Enemy Within, a prime-time psychological thriller that recently premiered on NBC. The hour-long show follows the exploits of a former CIA operative serving a life sentence for treason who is freed by the FBI to help track down a dangerous and elusive criminal.
Two visual effects-heavy commercial spots for Disney highlighting the latest Star Wars toys and merchandise benefited from play to the firing of children’s imagination: Choose Your Path focuses on The Last Jedi merchandise, featuring three children playing in an attic bedroom; a boy puts down a Kylo Ren toy, which then comes to life to fight Lego starships, while two of the children duck as a ship speeds past them on the red salt flats of Crait – which then seamlessly turn back into the bedroom with a classic Star Wars wipe. Galaxy Of Adventures features the original Star Wars trilogy and Solo: A Star Wars Story, with more children playing in an attic room, interacting with the toys and merchandise in a series of tableaux reminiscent of scenes from the films.
Post house DigitalFilm Tree CEO Ramy Katrib congratulated CBS and producers Christopher Molnar and Erik Whitmyre on the 10th season of NCIS: Los Angeles. Katrib said that in nearly 250 episodes DFT has averaged 250-400 effects per show. He thanked producers on NCIS: Los Angeles for giving DFT their trust and allowing them to achieve several technology firsts
The Supervisory Board of the Arri Group, at its meeting yesterday, decided to appoint a new member to its executive board of the Arri Group which currently consists of Dr. Joerg Pohlman and Dr. Michael Neuhaeuser. Effective April 1 Markus Zeiler, until now head of the business unit lighting at Arri, will join them on the board. His new area of responsibility within the board will be the management of Arri’s global rental business.
Cinematographer Xavier Dolléans chose a Sony Venice camera paired with Cooke Panchro/i Classic lenses to shoot Seasons 3 and 4 of Skam France, the French version of the acclaimed and innovative Norwegian youth series Skam, that follows a group of teenagers through their everyday lives of school, love and leisure time. Dolléans and director David Hourrègue wanted to reflect the darker storylines in the look of the show, while maintaining a vintage aesthetic.
Based on the acclaimed Dark Horse action noir graphic novel, Polar: Came From the Cold by Victor Santos, the Netflix feature film Polar was directed by Jonas Åkerlund (Lords of Chaos) and shot by cinematographer Pär M. Ekberg with Panasonic VariCam Pure cinema cameras. Born and raised in Sweden, Ekberg got his start as a still photographer at a young age and eventually transitioned into cinematography. He has shot features, commercials and music videos for established artists such as Beyoncé, Pink, Lady Gaga, Taylor Swift, Katy Perry and U2, and many others.
Over the 50 years chronicled in director Adam McKay’s Vice, cinematographer Greig Fraser had the challenges of photographing actors playing characters twice their age — with intense prosthetics, makeup and hair — while also making a potentially dull series of office-based scenes into a visually interesting story for audiences. To accomplish this feat, Fraser relied on Kodak 200T and 500T film and Cooke Optics’ Anamorphic/i prime lenses.
Boasting an impressive cast including Keira Knightley, Ralph Fiennes and Matt Smith, and captured by cinematographer Florian Hoffmeister BSC, the political thriller Official Secrets was directed by Gavin Hood, and produced by Ged Doherty, Elizabeth Fowler, and Melissa Zuo. Hoffmeister selected Sony’s Venice motion picture camera system for principal photography.
To celebrate the 100th anniversary of the American Society of Cinematographers Leica Camera has released the M10-P ASC 100 Edition. The still camera includes a Leica Summicron-M 35 f/2 ASPH lens and offers two specially tailored Cine Look modes built into the camera’s software that make it a focused professional tool for cinematographers and filmmakers. The set also includes a Leica Visoflex electronic viewfinder and a Leica M-PL-Mount Adapter that allows the use of almost all PL mount cine lenses available on the market.
Sony is upgrading the capabilities of its Venice motion picture camera system by introducing high frame rate shooting, advanced remote-control functionalities and Cooke/i3 and Zeiss extended metadata support, as part of its latest firmware update. Both the free upgrade to firmware Version 4.0 and the optional HFR license will be available in June.