Making a film for the first time is a challenge enough in itself, but post-production can sometimes be even more daunting. Aspiring filmmaker Michael Thibault said, “Strangely, all the things we were warned about – actors, scheduling, permits, etc – weren’t a problem at all. But when it came to post-production, it was a complete nightmare until we brought the show to AlphaDogs. We tried to get by cheap and skip using a professional post house, only to find out these freelance colorists and audio mixers have no clue as to what they are doing.”
Les Cinémas Gaumont Pathé, the largest cinema chain operator in France, the Netherlands, and Switzerland, has installed Dolby Cinema at Pathé Massy, south of Paris, and will open today. This marks the first Dolby Cinema in France, with Pathé Vaise in Lyon and Pathé Docks 76 in Rouen opening later this year.
Director Xavier Gens’ horror film Cold Skin premiered today in ÉclairColor HDR at Cines Verdi in Barcelona. The film is being distributed by Diamond Film España. The screening at Cines Verdi was a sneak preview that followed an ÉclairColor high dynamic range technology presentation and a cocktail reception. Cines Verdi, a nine-screen complex, is the first cinema in Spain to incorporate ÉclairColor. Éclair’s exhibitor services company CinemaNext/Proyecson installed the system.
Veteran colorist Michael Smollin has joined Fancy Film, the independent post-production facility based in Los Angeles’ Silver Lake neighborhood. Smollin, whose credits span features, episodics, reality series and documentaries, will serve as the facility’s senior colorist for theatrical and television projects.
Are we alone in the universe is a question that human beings have pondered likely since the dawn of time. The new documentary film ET Contact: They Are Here documents the jaw-dropping stories of individuals from around the world who share similar accounts of extraterrestrial otherworldly encounters. Written, directed and produced by Caroline Cory, the film takes viewers on an extraordinary journey to uncover whether these seemingly independent yet parallel reports may actually be scientific evidence of a greater phenomenon at work.
The Hackesche Höfe Kino in Berlin is the first all-EclairColor cinema complex in the world. Hackesche Höfe Kino is the flagship theatre of German cinema exhibitor Timebandits GmbH & Co. Kinobetriebs KG.
MTI Film colorist provided final post services for three new videos directed by Phillip R. Lopez, including a release from Russian punk band Pussy Riot with the provocative title Straight Outta Vagina. In finalizing the look of the videos, colorist Alex Chernoff collaborated directly with Lopez who’s been garnering a lot of attention for his visually stunning short films and music videos.
The Deuce, the new drama from HBO and executive producers David Simon and George Pelecanos, is set in 1970s New York City where prostitution and crime were rampant, and the modern adult entertainment industry was just coming into its own. Bold, brash and visually intoxicating, the series finished natively in high dynamic range at Technicolor PostWorks New York. To grade the project, colorist Sam Daley collaborated with director of photography Vanja Černjul.
The Ymagis Group has installed its first screen in the United States and its 100th cinema auditorium overall with EclairColor high dynamic range at the Alamo Drafthouse cinema in Austin, Texas. The 100 EclairColor screens are currently located across Germany (47) and France (46), the United Kingdom (3), Italy (1), Switzerland (1), Tunisia (1) and the USA (1).
Ymagis Group will showcase EclairColor HDR cinema technology at the upcoming Fédération Nationale des Cinémas Français convention in Deauville, France. Two special presentations will take place at the Centre International de Deauville’s Michel d’Ornano Auditorium on September 26 and 27. Technical presentations of the technology will be also held. The EclairColor presentations will be open to all FNCF convention delegates