Featured Stories

Documenting the Rise of Tower 3

Thu, 08/09/2018 - 11:46 -- Nick Dager

Tower 3, a new documentary short from Irish filmmaker and artist Marcus Robinson, commemorates the massive construction project behind the latest addition to New York’s World Trade Center site, an 80-story structure that is now the city’s fifth largest building. Commissioned by Silverstein Properties for ribbon-cutting ceremonies marking the building’s completion, the five-minute film was produced by Robinson with technical and creative assistance from Technicolor PostWorks New York.

Removing Film Sound Boundaries

Wed, 08/08/2018 - 15:40 -- Nick Dager

On the traditional sound stage, wired boom mics largely defined the limits and possibilities for film and television production. Over the past thirty years, sound engineer Edward Tise has pioneered advances in wireless audio to expand the possible. Now, equipped with the Sony DWX Series digital wireless microphone system, he wields a creative palette that alters the look and feel of what we see and hear on screen.

Color Technology Evolves

Mon, 08/06/2018 - 13:04 -- Nick Dager

Swapnil Patole is senior colorist and digital intermediate head of department at Famous Studio in Mumbai, which opened in 1946 and has become one of the finest post-production houses in India. Since starting his career 14 years ago, he has graded a long list of commercials in all genres and for brands such as L’Oreal, Garnier, McDonalds, Honda and Nivea, to name a few. He has more recently worked on feature films, festival short films and music videos, including a project for Sony Music India. Digital Cinema Report recently spoke with him about his career and how evolving technology has changed the work of colorists around the world.

D-Box Signs New Deal with Link Digital Cinema

Tue, 07/31/2018 - 12:26 -- Nick Dager

Link Digital Cinema China Technology, Beijing has signed an agreement to purchase additional D-Box motion systems in an effort to meet the growing demand for premium entertainment experiences. In a previous agreement, Link China installed seven D-Box screens for key locations across the country. With this new contract, D-Box is expected to install many more screens before the end of the year with some already in the installation process.

Screenvision Preshow Tackles Salmon Fishing

Tue, 07/31/2018 - 12:21 -- Nick Dager

Screenvision Media has debuted the latest preshow content for its Reel Food series, featuring food and lifestyle expert Chadwick Boyd. The episode – created by Screenvision Media’s in-house creative team, 40 Foot Solutions – is running nationwide as part of Screenvision’s Front + Center preshow and will continue through August 23, during the height of Alaska wild salmon season.

Adefarasin Shoots Full Frame on Lyrebird

Thu, 07/26/2018 - 11:08 -- Nick Dager

Good things come to those who wait, as cinematographer Remi Adefarasin, OBE BSC will testify, following his recent large format shoot with Cooke Optics S7/I full frame plus prime lens range on the period feature film Lyrebird. Imperative Entertainment’s Dan Friedkin is directing the film. Imperative is also producing alongside Ridley Scott.

AAM: Creating the Path to Cinema’s Future

Tue, 07/24/2018 - 13:04 -- Nick Dager

Arts Alliance Media first opened its doors in London June 17, 2003. In those very early days of digital cinema, the new company and its ten employees carved out a space in technology and what was then called alternative content. The company divested itself of the alternative content business a few years ago to focus on what has long been its core strength: cinema technology. AAM launched its first theatre management system in 2007 and, in 2008, completed the first virtual print fee rollout in Europe with French chain CGR. Today AAM has more than 140 employees spread over three offices in London, Amsterdam, and Guangzhou, China. I recently spoke via email with AAM’s chief executive officer Patrick Foley, and chief technology officer Richard Phillips about those early days of the company and, more importantly, to get their thoughts about the future of digital cinema technology.

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