Renegade Animation co-founder and executive producer Ashley Postlewaite will take part in the panel discussion Extraordinary Women, Extraordinary Animation at Comic-Con International 2018 in San Diego. Postlewaite will join other women leaders from the animation industry in discussing how they turned their talents into successful careers. The panel will also discuss new technologies that are making it easier for young people, and especially women, to enter the field of animation.
Production & Post-Production
New York’s Sound Lounge has promoted Liana Rosenberg to head of production. As a member of the management team, Rosenberg will be responsible for overseeing all production activity at the studio and supervise its team of staff producers. She will serve as a key liaison between Sound Lounge and its advertising agency and post-production house clients, and play a lead role in forecasting, budgeting and marketing.
Today, the Hollywood Professional Association Awards Committee announced the winners of the 2018 HPA Engineering Excellence Award. Winners were determined at a judging session held June 16. The awards will be presented November 15 at the 13th annual HPA Awards ceremony at the Skirball Cultural Center in Los Angeles.
Deluxe has named Barbara Jean Kearney vice president of sales for its New York post production office. Kearney joins Deluxe New York from Technicolor Postworks, where she led feature sales since 2012.
Twenty-five years ago, when digital entertainment was nascent, filmmaker George Lucas and University of Southern California School of Cinematic Arts Dean Elizabeth Daley envisioned the Entertainment Technology Center at USC to bridge the divide between technologists and filmmakers. Today, [email protected] is celebrating a quarter century as Hollywood's premiere think tank and research center dedicated to emerging technology's impact on professional content. This evening, at its annual Studio Technology Leader's Dinner, ETC will commemorate its anniversary and honor Dean Daley with the Bob Lambert Technology Leadership Award.
Terry Lawler and the board of directors of New York Women in Film & Television have announced that Lawler will conclude her tenure as executive director December 31, 2018. A longtime member of NYWIFT, Lawler joined the staff as executive director in June 1997, at the start of NYWIFT’s 20th anniversary year. Under her leadership the organization has doubled its membership size, tripled its operating budget, and has spearheaded the creation of numerous innovative programs and initiatives.
IBC2018 today announced a Cyber Security Forum for broadcasters and media. The event will be part of the annual IBC show at the RAI Convention Center in Amsterdam September 13-18. A one-day, invitation-only event, it will convene chief technology officers, chief information officers, chief information security officers and chief digital officers within media and broadcasting for a conversation on the challenges and opportunities presented by cyber security for broadcasters.
Visual effects studio Mr. Wolf has opened a studio in Vancouver. The company, which also has operations in Los Angeles and New York, has hired veteran VFX producer Chad Cortvriendt to head the new outpost as executive producer. Cortvriendt is currently leading a team of artists in creating visual effects for the third season of Syfy’s horror anthology series Channel Zero.
Post-production finishing for the first season of Vida, the new half-hour drama from Starz and executive producer Tanya Saracho, was recently completed at MTI Film. Senior colorist Steve Porter worked with series cinematographer Carmen Cabana in finalizing the look of the show, which has just been renewed for a second season and has drawn rave reviews for its revealing portrait of Latinx life in East Los Angeles.
Manuel Canchola is a freelance colorist based in Mexico City. He works on a mixture of commercials, television and film and uses this variety to continuously improve his skills as a colorist. Canchola, a passionate advocate for new technology and, in particular, high dynamic range, recently spoke with Digital Cinema Report about his career and his work in color grading.