Based on the acclaimed Dark Horse action noir graphic novel, Polar: Came From the Cold by Victor Santos, the Netflix feature film Polar was directed by Jonas Åkerlund (Lords of Chaos) and shot by cinematographer Pär M. Ekberg with Panasonic VariCam Pure cinema cameras. Born and raised in Sweden, Ekberg got his start as a still photographer at a young age and eventually transitioned into cinematography. He has shot features, commercials and music videos for established artists such as Beyoncé, Pink, Lady Gaga, Taylor Swift, Katy Perry and U2, and many others.
Production & Post-Production
In its 14th year of supporting the National Film and Theatre School, this year’s Christie’s prize for Most Promising NFTS Student was awarded to graduating composer, Will Turner. Turner received a Christie DHD599-GS projector.
Todd Douglas Miller, the filmmaker behind the critically acclaimed Apollo 11 moon-landing documentary, will present the keynote at the 2019 National Association of Broadcaster Show’s Future of Cinema Conference, produced in partnership with the Society of Motion Picture and Television Engineers.
Rising Sun Pictures, working in tandem with Weta Digital, the lead visual effects studio, created critical shots for two key sequences in the film, including a furious battle between soldiers from Earth and fearsome cyborg warriors known as Berserkers.
Éclair today announced the launch of ÉclairSend, its new, pay-as-you-go online large file transfer and transcoding service developed with film and audiovisual industry professionals. The browser-based ÉclairSend platform enables producers, distributors, filmmakers, broadcasters and non-industry professionals anywhere in the world to easily manage their files and assets, convert videos and deliver any type of content, without size restriction.
Christopher Ray, colorist at Picture Shop, joined director Albert Hugues’s epic adventure last year on Alpha, setting the looks on-set with FilmLight Daylight. His collaborative work with Technicolor senior colorist Maxine Gervais relied heavily on creativity and on the Daylight-Baselight Base Linked Grade exchange. Digital Cinema Report recently spoke with Ray about the experience.
Éclair today announced the successful remastering of Antonin Baudry’s Le Chant du Loup, the first French feature film in 300 nits high dynamic range for Onyx Cinema LED screens. In addition to the Onyx Cinema LED version, Le Chant du Loup is available in ÉclairColor in 15 cinemas across France.
The Motion Pictures Sound Editors presented the 66th MPSE Annual Golden Reel Awards at a black-tie ceremony at the Bonaventure Hotel in Los Angeles last Saturday night. Golden Reel Awards recognizing outstanding achievement in sound editing were presented in 23 categories encompassing feature films, long-form and short-form television, animation, documentaries, games, special venue and other media.
Over the 50 years chronicled in director Adam McKay’s Vice, cinematographer Greig Fraser had the challenges of photographing actors playing characters twice their age — with intense prosthetics, makeup and hair — while also making a potentially dull series of office-based scenes into a visually interesting story for audiences. To accomplish this feat, Fraser relied on Kodak 200T and 500T film and Cooke Optics’ Anamorphic/i prime lenses.
Dolby has reached a milestone of more than 500 installed Dolby Atmos screens across India. From Indian multiplexes – including 16 all Dolby Atmos multiplexes – to independent and single screen exhibitors, Atmos screens are found in 143 cities and 22 states and Union Territories in collaboration with Carnival Cinemas, Cinepolis, Inox Cinemas, PVR Cinemas, SPI Cinemas and other independent exhibitors.