Production & Post-Production

Creating a Blockbuster Look

Tue, 09/29/2020 - 10:14 -- Nick Dager

Writer/director Adrian Bol’s Legacy of Lies, starring Scott Adkins, is a spy action/thriller/drama about an ex-MI6 agent who is thrown back into the world of espionage and high stakes uncovering the shocking truth about operations conducted by unknown secret services. With a budget of $4.5 million, the goal was for Legacy of Lies to have a big blockbuster look and feel.

Arri Introduces Four New Signature Zoom Lenses

Wed, 09/23/2020 - 11:08 -- Nick Dager

Responding to market requests for high-quality zoom lenses to match and accompany the Signature Primes, Arri announces four new Signature Zooms designed for universal usage with any large-format or Super 35 camera. They offer a fast stop of T2.8 across all four lenses, unrivalled focal length range, absolute image consistency, high dynamic range compatibility, and 8K resolving power.

SMPTE Hollywood Webinar to Feature VFX Producer Brooke Noska

Wed, 09/23/2020 - 11:03 -- Nick Dager

The Society of Motion Picture and Television Engineers Hollywood section will feature Emmy-nominated visual effects producer Brooke Noska in the next edition of its webinar series Career Advice: Ask a Hollywood Expert. Noska will reveal how she got her start, discuss her work on such shows as Ratched, American Horror Story and The Orville, and offer advice to aspiring industry professionals eager to follow in her footsteps.

What Breaks the Ice to Premiere at Woodstock Film Festival

Mon, 09/21/2020 - 11:16 -- Nick Dager

Goldcrest Films/Saboteur Media’s coming-of-age thriller What Breaks the Ice will make its premiere at a special drive-in theater screening, October 3, at the 21st annual Woodstock Film Festival in New York. The screening will be held at the Overlook Drive-In Theatre in Poughkeepsie on a double-bill with Ammonite, Francis Lee’s new film starring Kate Winslet and Saoirse Ronan.

Filmed in Imax Program Unveiled

Mon, 09/21/2020 - 09:44 -- Nick Dager

Imax Corporation has unveiled its Filmed In Imax program, a new partnership with the world's leading camera manufacturers to meet filmmaker demand for the Imax Experience. Through the program, Imax will certify high-end, best-in-class digital cinema cameras with leading brands including Arri, Panavision, Red Digital Cinema and Sony to work in the Imax format when paired with its proprietary post-production process. Top Gun: Maverick shot with Sony's Venice, and Dune, shot with the Arri Alexa LF, will be among the first releases certified as Filmed in Imax.

Middle Eastern Film Cooperation Agreement Announced

Mon, 09/21/2020 - 09:37 -- Nick Dager

The Abu Dhabi Film Commission, the Israel Film Fund and the Jerusalem Sam Spiegel Film &Television School have reached an overarching agreement centered on goodwill and bilateral cooperation in the fields of film and television. Under the new agreement, the film commissions will create an intercultural cooperation, creating content with the goal of promoting tolerance, education and developing a deeper cultural understanding between the Emirati and Israeli people.

Rokoko Introduces Smartgloves

Wed, 09/16/2020 - 11:53 -- Nick Dager

Award-winning motion capture creator Rokoko has instroduced Smartgloves, a hand and finger tracking solution that captures every nuance of a hand in the most affordable way possible. Durable enough for fight scenes, but precise enough for individual fingers, Smartgloves can capture the full spectrum of an actor’s hand performance, giving VFX, VR, game dev and digital artists a faster way to create better characters, and one less thing to animate.

Keeping Focus Shooting Full Frame

Tue, 09/15/2020 - 09:16 -- Nick Dager

One of the challenges for Cooke Optics for the remaining months of 2020, according to the company, will be demonstrating to current and potential customers how it believes its /i technology provides new technical solutions to age old problems. And few problems have been given as much of a twist in recent years as keeping focus while shooting full frame.

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