Production & Post-Production

Hannah Claims a Cinematic First

Tue, 12/04/2018 - 11:18 -- Nick Dager

The makers of the Screen Gems feature film The Possession of Hannah Grace are claiming an interesting cinema technology first: the project was shot in Boston using Sony A7S II mirrorless digital cameras combined with large format Hawk 65 anamorphic lenses from Vantage, an unlikely combination featuring lenses designed for large digital sensors combined with a full-frame camera with a DSLR form factor and a price tag under $3,000. Nevertheless, the filmmakers say it made for a high-quality, cost-effective production workflow.

Studio Enterprise, Lightcraft Partner on Education Initiative

Mon, 12/03/2018 - 12:03 -- Nick Dager

Studio Enterprise has announced a partnership with Lightcraft Technology to provide students access to industry leading virtual production equipment. As a vertically integrated content company using education and training as a platform to impact the media and entertainment industry, Studio Enterprise’s partnership with Lightcraft Technology will entail equipment provision, collaborative training programs and master classes on how to shoot TV and movie productions using their real-time VFX platform Halide FX.

A History of Cinema Technology

Fri, 11/30/2018 - 10:58 -- Nick Dager

Cinematographer Rick Malkames has a deep connection with the history of cinema. His father and grandfather were also cinematographers and film historians. Over the years the family has amassed a collection of cameras and projectors that stretch back to the very beginning of the motion picture industy. The historic collection traces innovations in projection technology from the beginning to the present. In a short video, recently released by Samsung, Malkames walks us through his family’s history and collection and concludes with his thoughts about Samsung’s Onyx LED Cinema Screen

Finding the Magic in Film

Fri, 11/30/2018 - 10:53 -- Nick Dager

The new feature film Mid90s, which marks the directorial debut of Jonah Hill, tells the coming-of-age story of Stevie, a 13-year-old Los Angeles boy who seeks escape from troubles at home in the company of the friends he meets in a local skate shop. Post-production finishing for the film was completed at Technicolor PostWorks New York where colorist Alex Bickel worked directly with Hill and cinematographer Christopher Blauvelt to recreate the sun-washed look of 1990s Southern California and the taut emotional landscape of Stevie’s world

Where the Wild Things Aren’t

Fri, 11/30/2018 - 10:45 -- Nick Dager

Director of photography Joe Callahan recently completed principal photography on a feature-length documentary about wildlife rescue and rehabilitation in India. The documentary, aiming for premium festival berths, profiles the pioneering work of Wildlife SOS, a worldwide organization dedicated to protecting and conserving India’s natural heritage, forest and wildlife wealth. The majority of location work on the documentary (working title, Where the Wild Things Aren’t) took place last June all across India—jungles, deserts and the teeming cities of Jodhpur, Delhi and Agra.

Cinematic Media Opens in Mexico City

Tue, 11/27/2018 - 14:02 -- Nick Dager

Cinematic Media, a full-service post-production finishing facility focused exclusively on television and cinema content, has launched in Mexico City. Located on the lot at Estudios GGM, the new facility offers dailies, look development, editorial finishing, color grading and other services, and aims to capitalize on booming entertainment media production in Mexico and throughout Central and South America. In its first project, Cinematic Media provided finishing services for the second season of the Netflix series Ingobernable.

Technicolor, Prasad Partner on Scanning and Restoration

Tue, 11/27/2018 - 11:23 -- Nick Dager

Technicolor PostWorks New York and Prasad Corporation have formed a strategic partnership to provide full-service film scanning and digital restoration services in 8mm, Super8, 16mm, 35mm, 65mm, 2K, and 4K for archival preservation purposes for classic independent films readying for re-release.

Pages

Subscribe to Production & Post-Production