Referred to as the Blue Heart of Siberia, Lake Baikal is the deepest lake on earth and magically lures different cultures to coexist and fuse peacefully within its realm of mind-blowing beauty. Moscow-based RSS Production set out to capture the essence of this unique area in the exquisite new documentary film Baikal directed by Alexander Dukhon.
Canon Cinema EOS digital cameras and lenses have been selected by IMAX Corporation for an exciting mission to capture 4K footage in space.
The $4 million Wonders of the Arctic 3D natural world epic marks Science North's fifth IMAX production in conjunction with Lickley and Chicago’s Giant Screen Films. The 42-minute film, which focuses on the effects of climate change to the Arctic environment and the impact on humans and animals, such as the resilient Inuit peoples and Polar bears that reside there, has been distributed in more than 100 theatres around the world.
Codex recording and workflow technology was used at the heart of the production to post pipeline on 20th Century Fox’s latest superhero movie X-Men: Days Of Future Past. A combination of Codex Onboard Recorders, in-camera XR recording, and Vault systems, enabled the filmmakers to deploy a variety of Arri Alexa cameras, shooting both native 3D and 2D using ArriRaw, and to maximize image quality on-set and during post-production.
SolidAnim has introduced the latest version of SolidTrack for the film and broadcast industries. The company says SolidTrack provides a more ergonomic and intuitive solution dedicated to camera tracking and visualization of complex VFX shots, dealing with green screen compositing, 3D rendering, and complex camera moves.
The 2011 Rise of the Planet of the Apes unleashed a cross-species thriller and, on July 11, the sequel, Dawn of the Planet of the Apes, directed by Matt Reeves and shot by cinematographer Michael Seresin will debut in U.S. theatres. Although most 3D movies currently are shot in 2D and converted to 3D in post-production, this movie was shot in native 3D. Seresin, who also shot a significant portion of Gravity, faced his first experience shooting native 3D. Although he doesn’t consider himself a “technical cinematographer,” Seresin felt confident. “Lighting, composition, and camera moves is what I like,” he says.
Codex has announced Codex Action Cam, an ultra-compact, all-in-one, digital cinema camera and recording package for 2D and stereoscopic 3D production. The camera is designed for use as a supplement to larger camera systems on commercials, TV and movie productions as a companion camera when regular camera packages are too large for the situation or location in which the production is trying to shoot. The new camera will be on display at the National Association of Broadcasters show in Las Vegas April 7.
Real-time tracking technology company BlackTrax recently appointed two-time Academy Award-winner Christopher Jenkins to be general manager, BlackTrax Audio. The newly formed division’s mandate is to focus on developing the company’s 3D and spatial audio applications and installations. Jenkins is keeping his job as president and CEO of Bisby Productions, a full service post-production sound company. Bruce Freeman, chairman at parent company Cast said Jenkins is working to incorporate BlackTrax in future projects that he is working with Bisby, as well as to introduce BlackTrax to the audio market. I recently spoke with Jenkins about his new role.
Hula Post Production provided 3D editorial gear and space for Metallica: Through the Never, the new feature-length 3D concert film released worldwide this month by Picturehouse.
Fraunhofer Digital Cinema Alliance has announced new developments and workflow solutions from its Spatial-AV Project