Production & Post-Production

Éclair Launches ÉclairSend Professional File Transfer System

Tue, 02/26/2019 - 11:30 -- Nick Dager

Éclair today announced the launch of ÉclairSend, its new, pay-as-you-go online large file transfer and transcoding service developed with film and audiovisual industry professionals. The browser-based ÉclairSend platform enables producers, distributors, filmmakers, broadcasters and non-industry professionals anywhere in the world to easily manage their files and assets, convert videos and deliver any type of content, without size restriction.

Setting the Looks for Dailies on Alpha

Mon, 02/25/2019 - 12:54 -- Nick Dager

Christopher Ray, colorist at Picture Shop, joined director Albert Hugues’s epic adventure last year on Alpha, setting the looks on-set with FilmLight Daylight. His collaborative work with Technicolor senior colorist Maxine Gervais relied heavily on creativity and on the Daylight-Baselight Base Linked Grade exchange. Digital Cinema Report recently spoke with Ray about the experience.

Éclair Remasters First French Feature Film for Onyx Cinema LED Technology

Fri, 02/22/2019 - 10:00 -- Nick Dager

Éclair today announced the successful remastering of Antonin Baudry’s Le Chant du Loup, the first French feature film in 300 nits high dynamic range for Onyx Cinema LED screens. In addition to the Onyx Cinema LED version, Le Chant du Loup is available in ÉclairColor in 15 cinemas across France.

Motion Picture Sound Editors Present 66th Annual Golden Reel Awards

Tue, 02/19/2019 - 11:28 -- Nick Dager

The Motion Pictures Sound Editors presented the 66th MPSE Annual Golden Reel Awards at a black-tie ceremony at the Bonaventure Hotel in Los Angeles last Saturday night. Golden Reel Awards recognizing outstanding achievement in sound editing were presented in 23 categories encompassing feature films, long-form and short-form television, animation, documentaries, games, special venue and other media.

Fraser Turns to Cooke Lenses for Vice

Fri, 02/15/2019 - 11:43 -- Nick Dager

Over the 50 years chronicled in director Adam McKay’s Vice, cinematographer Greig Fraser had the challenges of photographing actors playing characters twice their age — with intense prosthetics, makeup and hair — while also making a potentially dull series of office-based scenes into a visually interesting story for audiences. To accomplish this feat, Fraser relied on Kodak 200T and 500T film and Cooke Optics’ Anamorphic/i prime lenses.

Dolby Atmos Passes 500 Screen Mark in India

Fri, 02/15/2019 - 11:33 -- Nick Dager

Dolby has reached a milestone of more than 500 installed Dolby Atmos screens across India. From Indian multiplexes – including 16 all Dolby Atmos multiplexes – to independent and single screen exhibitors, Atmos screens are found in 143 cities and 22 states and Union Territories in collaboration with Carnival Cinemas, Cinepolis, Inox Cinemas, PVR Cinemas, SPI Cinemas and other independent exhibitors.

UNIC Says All Films in Leading Festivals Should Get a Theatrical Release

Fri, 02/15/2019 - 11:30 -- Nick Dager

The International Union of Cinemas (UNIC) has called for films selected in competition at leading film festivals to receive a full theatrical release. Following the decision from the Berlinale Film Festival to include the Spanish original film Elisa y Marcela in its 2019 official selection, the association released the following statement:

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