Cinépolis, the largest cinema exhibitor in Latin America and fourth largest cinema exhibitor in the world, has selected Volfoni as its new 3D provider for their new cinema complexes in Bahrain, Oman, and Argentina.
The Oscar-qualifying film Ian has been released in an unprecedented joint effort from all major children’s Networks in Latin America: Disney, Discovery Kids, Nickelodeon, Cartoon Network, Boomerang, YouTube Kids and Pakapaka in Latin America and YouTube Worldwide. This emotional film is based on the true story of a boy called Ian. The film was created by Emmy nominee Gastón Gorali, produced by Oscar winner and two-time Emmy winner Juan José Campanella and directed by Abel Goldfarb. This important film aims to help children to understand disability and for the message of inclusion to reach every home.
Cinematic Media, a full-service post-production finishing facility focused exclusively on television and cinema content, has launched in Mexico City. Located on the lot at Estudios GGM, the new facility offers dailies, look development, editorial finishing, color grading and other services, and aims to capitalize on booming entertainment media production in Mexico and throughout Central and South America. In its first project, Cinematic Media provided finishing services for the second season of the Netflix series Ingobernable.
Cinépolis, the fourth largest movie theater circuit in the world, and the largest in Mexico and Latin America, has selected Cielo as its provider of choice for digital management, monitoring and support of the entire Cinépolis circuit across the world. Cielo is joining forces with CES+, who has a longstanding business alliance with Cinépolis, and will act as the integrator channel partner and primary manager of the account.
Isaac Molina is a senior colorist based in Mexico City, where for the last nine years he has worked at leading post house Oxido. Molina has a rich tapestry of grading experience that includes TV commercials and, as the colorist and DI supervisor, with the grade of more than 30 feature films. More recently, he has worked as a colorist in the first Latin American high dynamic range TV series for Netflix. Digital Cinema Report recently spoke with Molina about his career, the art and craft of color grading and his work on The House of Flowers.
Fandango announced today it has signed multi-year deals with leading international exhibitors Cinemark, Cinepolis (in Brazil, Argentina, Peru, Chile and Colombia), National Amusements (Showcase Cinemas, UCI) and Cinemex, adding more than 5,000 new screens in more than 15 Latin American countries. The new deals will bring Fandango’s global screen count to more than 45,000 worldwide.
Conque 2018, Latin America’s number one comic and entertainment convention was supported by Christie projection. The event, which was attended by 30,000 people, just ended in Queretaro City, Mexico.
Cineteca Nacional, Mexico’s national film theatre, has installed a Christie CP4230 projector in the cinema’s main theatre to screen the complete filmography of U.S. filmmaker Wes Anderson as part of its retrospective season, which opened last month with Anderson’s 2018 Isle of Dogs movie.
With more than 300 screens in Peru and Chile, Cineplanet is one of the most progressive theater circuits in Latin America offering first-class amenities. When it came time to outfit its new multiplex in Costanera, Chile, the exhibitor once again looked to Cinionic, the Barco cinema joint venture, and digital cinema integrator Bardan Cinema Barco.
NEC Display Solutions announced today that it has substantially enlarged its team dedicated to the Latin American region.