Editing 3D
E-Motion Upgrades DI Suite
Submitted by Nick Dager on Tue, 10/13/2009 - 09:48.
Fear Factor
Submitted by Nick Dager on Wed, 05/27/2009 - 14:24.
I.E. Effects Adds Stereoscopic 3D to its Post Capabilities
I.E. Effects, Culver City, California has announced that the company is now offering a complete post-production solution for stereoscopic projects. "We’ve been waiting for technology to get to the point where we could build a stereoscopic workflow that is manageable for today’s budgets," says David Kenneth, executive producer at I.E. Effects. "We’ve worked very hard to simplify the process to the point where it’s not intimidating for our clients. We can now turn around 3D projects on a similar timeline to that of traditional 2D projects. We are removing the fear of going forward on 3D projects."
Death of the Dongle
Submitted by Nick Dager on Fri, 03/06/2009 - 16:43.
Avid Introduces Media Composer, Symphony v3.5
Avid Technology says it has addressed customer requests for native support of the Sony XDCam format, a ground breaking 3D Stereoscopic workflow and the “death of the dongle,” with the release of Avid Media Composer and Symphony v3.5.
At the C.O.R.E.
Submitted by Nick Dager on Tue, 12/09/2008 - 16:28.
Da Vinci Systems believes it has the Resolve to Edit 3D
To date, according to Da Vinci Systems, its 2K color corrector has been the most relied-upon tool for 3D projects. But the future promises an exponentially increasing number of stereoscopic projects, and so the Da Vinci team — in collaboration with leading post-production studios — has developed the Resolve R-3D specifically to meet the challenges of nonlinear grading in 3D.
