FireFly Cinema now provides direct integration with axle Gear from axle Video. The integration enables on-set color graded images and metadata from FireFly Cinema’s FireDay dailies management tool to flow seamlessly into the axle media management system.
The Indian post-production house FutureWorks is currently celebrating a decade in business. Senior colorist Rahul Purav spoke with Digital Cinema Report about the process of color grading and about some of the many films projects the company has worked on over the years.
The Motion Picture Academy’s Academy Color Encoding System is now widely used across the movie industry but perhaps surprisingly, it’s also gaining traction in the gaming world. To learn more, Digital Cinema Report recently spoke with Brian Karis at Cary, North Carolina-based Epic Games. The company is known for its industry-leading Unreal Engine, a ground breaking game engine that can be used by other game developers who do not want to develop their own engine.
Firefly Cinema has unveiled V6 of its comprehensive color grading software suite which includes: FirePlay (for playback), FireDay (for digital dailies) and FirePost (for color finishing). Used on hundreds of feature films (La La Land, Planetarium, The History of Love, Belle and Sebastien), FireFly Cinema provides an integrated and production-wide approach to managing color workflows on-set, through dailies and post-production.
French cinema exhibitor Megarama has signed an agreement to install EclairColor HDR technology on 15 screens. “We will deploy the new EclairColor HDR technology at 10 of our cinema sites across France with the first two cinemas – Megarama Bordeaux and Megarama Villeneuve-La-Garenne – to be equipped in April,” said Jean-Pierre Lemoine, president and CEO of Megarama Group. “After laser technology, we are continuing to invest in the modernization of our own cinema equipment with EclairColor, a brand new, affordable HDR technology powered by Sony Digital Cinema 4K SRX-515 projection system technology. The benefits for moviegoers are real with a significantly enhanced image andan increased perception of details, the color range is much richer and the gradients much more refined, even in the darkest colors.”
CinemaNext has announced that it has equipped 25 screens in 13 cinemas across Germany with EclairColor technology. In conjunction with these installations, Ymagis Group’s content services arm, Eclair, has overseen the EclairColor mastering of the film The Lost City of Z, which opens in cinemas in Germany March 30. The film from critically acclaimed director James Gray is distributed by StudioCanal in both Germany and France.
Ymagis Group’s CinemaNext and Éclair will be showcasing EclairColor digital high dynamic range technology during CinemaCon at Caesars Palace March 27-30 in Las Vegas.
FireFly Cinema’s FirePost color grading application was used to produce the EclairColor mastered version of the Academy Award nominated film La La Land directed by Damien Chazelle.
Representatives from the European digital cinema technology and services company Ymagis Group returned to Hollywood last week to give private demos of their ÉclairColor process at the Harmony Gold theatre on Sunset Boulevard. Presenting side-by-side clips from last year’s release The Neon Demon, they showed high dynamic range images with high contrast, deep blacks, excellent highlight detail and vibrant colors.
International production and post group Umedia has opened a facility in Vancouver. The company has four other facilities around the world. The Vancouver office has installed a Baselight Two grading and finishing suite.