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Katana Creators to Receive Technical Oscar

The Academy of Motion Picture Arts and Sciences has announced that the original creators of Katana will be presented with an Academy Technical Achievement Award.

Event Cinema Association to Host Networking Event March 7

The recently launched Event Cinema Association has announced it will host a Networking Event in Brussels, Belgium, on March 7th. Aimed at distributors, exhibitors, technical providers and content providers in the global business of Event Cinema, the event is open to everyone with an interest in alternative content.

First UK Digital Cinema Conference Takes Place February 7

Leading industry companies and organizations including Sony Digital Cinema 4K, Technicolor, Arqiva, Arts Alliance Media, dCinex, More2Screen, MyMovies, Rentrak, Sound Associates and Vista are taking part in the first UK Digital Cinema Conference, which is being hosted by Digital Cinema Solutions on February 7th at the Vue Westfield in West London. The theme for the one-day conference will be digital innovation and alternative content geared to be of interest specifically to film distributors, exhibitors and related services and suppliers.

War of the Worlds

More2Screen will distribute the film of Jeff Wayne’s Musical Version of The War of The Worlds – Alive On Stage! The New Generation, to digital cinemas worldwide in April.

The Big Picture

Next Stop, the Oscars

By Nick Dager

The Invisible WarAlmost a year after Cinedigm Entertainment Group and distributor New Video jointly acquired the North American distribution rights to director Kirby Dick’s powerful The Invisible War the movie will be front and center as a finalist for Best Feature Length Documentary when the 2013 Academy Award winners are named. Focusing on the emotional stories of rape victims, the film is a moving indictment of the systemic cover-up of military sex crimes, chronicling the women’s struggles to rebuild their lives and fight for justice. It also features hard-hitting interviews with high-ranking military officials and members of Congress that reveal the perfect storm of conditions that exist for rape in the military, its long-hidden history, and what can be done to bring about much-needed change. As much as the filmmakers would love to win that award, they believe that the movie’s real mission to reduce the number of rapes committed in our military. And the clearly don’t intend to stop no matter what happens on Oscar night.

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Feature Stories

Guest Column
The Road To Perfecting High Frame Rate

By James Mathers

Opinions are like noses, everyone’s got one; now it’s time to stick mine into high frame rate, the technique employed by Peter Jackson on The Hobbit which involves shooting and projecting at higher frame rates than 24fps. Let me first say that I’m a big fan of Peter Jackson, and I appreciate his fearlessness to break from the pack and try new things, but on an aesthetic level...I hated it!

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One on One
Conversation with Nagesh Kukunoor

By Lynne Gardiner
Digital Cinema Report
India Correspondent

With 12 films under his belt, and the 13th in post-production, Hyderabad-born Nagesh Kukunoor is a familiar face in Bollywood circles yet his work is strictly not of the typical formulaic Bollywood genre. Watch a Kukunoor film and you won’t see any glitzy singing and dancing routines. What you will experience is a strong, carefully crafted storyline and if the director has his way, you will also be taken on a rich, emotional journey. Known for creating cinematic gems from modest to mid-range budgets, Kukunoor proves that there is a market for good filmmaking without spending mega bucks. One of his early works, Hyderabad Blues (1998), cost a little over US$30,000, was made in less than three weeks, and ran for an astonishing six months in major towns across India. His other films include Rockford (1999), Iqbal (2005), Dor (2006), 8x10 Tasveer (2009), Aashayein (2010) and Mod (2011). Kukunoor’s new film, Lakshmi, has just gone into post. Based on true events, it tells the story of a child prostitute. Kukunoor has a Master’s degree in chemical engineering from the Georgia Institute of Technology. He now lives in Mumbai. In this interview, he talks about his art as a director, the frustrations of storytelling in the Bollywood-crazed Indian film industry, and his first impressions of shooting digital.

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Coming Soon

This Last Lonely Place

Writer/director Steve Anderson’s thriller This Last Lonely Place, which filmed November-December 2012 in and around Los Angeles, has wrapped principal photography.

Complete story in our next edition

News Stories

Reinventing Cinema now available at Diesel Books

Reinventing Cinema: The First Decade of Digital Cinema by Nick Dager is now available at Diesel Books. In May 1999 Star Wars: Episode 1 – The Phantom Menace opened with digital screenings in a handful of movie theatres in and around New York and Los Angeles: digital cinema’s first decade was underway. Now on sale for only $1.99.

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The Film School of New York Film Academy gives students the filmmaking experience necessary to make their own films. There is no single path or formula for creating a career in filmmaking. Our filmmaking graduates have gone on to win awards at film festivals, start production companies, become cinematographers, film editors, screenwriters, directors, producers, and even actors.

Doremi IMS 1000 Gets DCI Compliance

Doremi has announced that its Integrated Media Server the IMS1000 has passed the Compliance Test Plan and achieved the DCI standard of excellence. The server is the first commercially available single board Integrated Media Server on the market, with key features that include a combined SMS, digital storage and a secure DCI image media block in a compact form that enables it to fit inside DLP projectors.

Soho Digital Cinema Selects Fraunhofer to Optimize Distribution Workflow

The Department of Moving Picture Technologies of Fraunhofer IIS has announced that Soho Digital Cinema to simplify distribution workflow and ensure adherence to screening rights.  The integration of the easyDCP KDM Generator in SDC’s MEL, a web application for KDM management and distribution, enables SDC customers to create their own KDMs through the SDC website.

Bulgaria to Lead European Audiovisual Observatory

The European Audiovisual Observatory, part of the Council of Europe in Strasbourg, has announced that Bulgaria will take over its annually rotating presidency for 2013. Bulgaria is represented in the Observatory’s Executive Council by Irina Kanousheva, who is responsible for international relations, festivals and promotion at the Bulgarian National Film Center.

SmartJog Signs Delivery Deal with VS2, Portugal

SmartJog has signed with VS2, Portugal’s main independent local mastering lab. This agreement enables VS2 to use SmartJog’s delivery platform service to distribute digital cinema preshow content, trailers, and feature films directly to theaters connected in Portugal.

Kon-Tiki to Open Göteborg International Film Festival

Kon-TikiNorway's Oscar entry, Kon-Tiki, will open the 36th edition of the Göteborg International Film Festival. Kon-Tiki was made by the directors behind the previous film success, Max Manus, and is Norway's biggest and most expensive film production to date. For the first time, the festival's opening film will be screened at several theaters simultaneously. Both the directors and actors will be visiting the festival.

Hong Kong Film Development Council Funds New Cinema

The Hong Kong Film Development Council has provided funding support for the renovation of the Hong Kong Arts Centre cinema. With the upgraded facilities, films of more diverse formats and genres can be screened at the cinema to further promote film culture in the community.



Sub Sea Research Announces Shipwreck Series

Maine-based shipwreck recovery company Sub Sea Research has announced their latest venture, a documentary series entitled The Port Nicholson Experience. The Port Nicholson, a wreck off the coast of Massachusetts that is said to be carrying around $3 billion in platinum and gold, is Sub Sea Research's current target. The series will focus on the crew's journey as they work to recover the cargo. The company plans to show this documentary in installments on their satellite site Shiprex.net.

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