MTI Film has completed the 4K restoration of Time Piece, a 1965 short film written, directed and starring the late Jim Henson. The story of a man’s desperate attempt to escape the passage of time, the short received an Academy Award nomination and is a testament to Henson’s under appreciated work as an experimental filmmaker.
Post-production finishing for the first season of Vida, the new half-hour drama from Starz and executive producer Tanya Saracho, was recently completed at MTI Film. Senior colorist Steve Porter worked with series cinematographer Carmen Cabana in finalizing the look of the show, which has just been renewed for a second season and has drawn rave reviews for its revealing portrait of Latinx life in East Los Angeles.
MTI Film recently provided final post-production services for The Story of Us with Morgan Freeman, a six-part documentary series on National Geographic. The facility handled editorial conforming and color grading for the series in which the veteran actor travels the globe “in search of an answer to one fundamental question for humanity: what are the common forces that bind us together?”
MTI Film colorist provided final post services for three new videos directed by Phillip R. Lopez, including a release from Russian punk band Pussy Riot with the provocative title Straight Outta Vagina. In finalizing the look of the videos, colorist Alex Chernoff collaborated directly with Lopez who’s been garnering a lot of attention for his visually stunning short films and music videos.
MTI Film has completed a major expansion of its Hollywood facility designed to accommodate growing demand for post-production services and support for high dynamic range content. The expansion includes the addition of two new color-grading suites and an editorial finishing suite, all HDR capable.
MTI Film recently completed an all-new digital restoration of North to Alaska, Twentieth Century Fox’s 1960 comedy starring John Wayne. Employing proprietary technology and image processing techniques, MTI Film scanned the original 35mm cut negative at 4K before putting the film through an intensive restoration process to address faded color, Newton rings, dirt, scratches and many other defects. MTI Film ultimately delivered fully restored 4K files to produce a new 35mm negative for long-term preservation, along with a 4K DCP Master and high definition masters in a variety of aspect ratios.