New York’s Sound Lounge has promoted Liana Rosenberg to head of production. As a member of the management team, Rosenberg will be responsible for overseeing all production activity at the studio and supervise its team of staff producers. She will serve as a key liaison between Sound Lounge and its advertising agency and post-production house clients, and play a lead role in forecasting, budgeting and marketing.
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National CineMedia has named Jerry Canning to the new role of vice president, digital ad sales. A digital industry thought-leader with long stints at Facebook and Google, Canning will lead the company’s digital advertising sales efforts and help connect brands to movie audiences through NCM’s digital products including Cinema Accelerator, Noovie ARcade, and Fantasy Movie League.
Today, the Hollywood Professional Association Awards Committee announced the winners of the 2018 HPA Engineering Excellence Award. Winners were determined at a judging session held June 16. The awards will be presented November 15 at the 13th annual HPA Awards ceremony at the Skirball Cultural Center in Los Angeles.
Deluxe has named Barbara Jean Kearney vice president of sales for its New York post production office. Kearney joins Deluxe New York from Technicolor Postworks, where she led feature sales since 2012.
Twenty-five years ago, when digital entertainment was nascent, filmmaker George Lucas and University of Southern California School of Cinematic Arts Dean Elizabeth Daley envisioned the Entertainment Technology Center at USC to bridge the divide between technologists and filmmakers. Today, [email protected] is celebrating a quarter century as Hollywood's premiere think tank and research center dedicated to emerging technology's impact on professional content. This evening, at its annual Studio Technology Leader's Dinner, ETC will commemorate its anniversary and honor Dean Daley with the Bob Lambert Technology Leadership Award.
Terry Lawler and the board of directors of New York Women in Film & Television have announced that Lawler will conclude her tenure as executive director December 31, 2018. A longtime member of NYWIFT, Lawler joined the staff as executive director in June 1997, at the start of NYWIFT’s 20th anniversary year. Under her leadership the organization has doubled its membership size, tripled its operating budget, and has spearheaded the creation of numerous innovative programs and initiatives.
IBC2018 today announced a Cyber Security Forum for broadcasters and media. The event will be part of the annual IBC show at the RAI Convention Center in Amsterdam September 13-18. A one-day, invitation-only event, it will convene chief technology officers, chief information officers, chief information security officers and chief digital officers within media and broadcasting for a conversation on the challenges and opportunities presented by cyber security for broadcasters.
This weekend Regal moviegoers will be able to experience another Moviebill, this time tailor-made for Universal Pictures and Amblin Entertainment’s Jurassic World: Fallen Kingdom. This new edition is exclusive to Regal moviegoers who attend the opening weekend of Jurassic World: Fallen Kingdom, in theaters on June 22.
Screenvision Media today announced Audi's Parking Lot holiday campaign as the winner of the Hegarty Advertising in Cinema Excellence Award at the Adweek Creative 100 celebration in Cannes. Audi's Parking Lot campaign was a humorous look at the struggles of holiday shopping season, creatively showcasing the Audi RS3 and RS7 models, whilst depicting two fathers' frustrations over battling it out for the last parking space in a mall parking lot.
In celebration of Public Image Ltd.’s fortieth anniversary, Abramorama and Verisimilitude have released the first official trailer and poster of the new music documentary The Public Image Is Rotten. The career-spanning documentary, tells the story of music icon John Lydon and his pioneering group PiL with a level of depth and intimacy never before seen.
Visual effects studio Mr. Wolf has opened a studio in Vancouver. The company, which also has operations in Los Angeles and New York, has hired veteran VFX producer Chad Cortvriendt to head the new outpost as executive producer. Cortvriendt is currently leading a team of artists in creating visual effects for the third season of Syfy’s horror anthology series Channel Zero.
Post-production finishing for the first season of Vida, the new half-hour drama from Starz and executive producer Tanya Saracho, was recently completed at MTI Film. Senior colorist Steve Porter worked with series cinematographer Carmen Cabana in finalizing the look of the show, which has just been renewed for a second season and has drawn rave reviews for its revealing portrait of Latinx life in East Los Angeles.
Cineworld Group and Cinemark Holdings have agreed to buy the remaining units of National CineMedia currently owned by AMC Entertainment, 21.5 million units for approximately $156.8 million. Cineworld and Cinemark will each acquire half of the units and will fund the transaction with available cash.
Event cinema distributor Fathom Events has enhanced its executive team with the appointment of Tom Bracken as vice president of marketing, Nancy Silverstone as vice president of programming and the promotion of Daren Miller to vice president of business affairs & strategy.
Manuel Canchola is a freelance colorist based in Mexico City. He works on a mixture of commercials, television and film and uses this variety to continuously improve his skills as a colorist. Canchola, a passionate advocate for new technology and, in particular, high dynamic range, recently spoke with Digital Cinema Report about his career and his work in color grading.
Christie is marking a decade of collaboration with the Shanghai International Film Festival as the event’s exclusive cinema projection partner. “This is the tenth consecutive year that Christie has partnered with the SIFF, which is one of the largest and most prestigious film festivals in Asia, by serving as its exclusive cinema projection partner,” said Lin Yu, vice president, cinema sales for Asia, Christie. “It is an honor for us be associated with the SIFF, supplying our cinema projectors for screening feature films from around the world that are distinguished by their artistic excellence. It is a perfect combination of ‘art and technology’, and we are fully committed to delivering the best possible image on screen that allows all audiences to enjoy an immersive and highly satisfying cinema experience.”
“I think if you’re making a high school movie, you can’t not watch John Hughes movies for reference,” said cinematographer Hillary Spera (Duck Butter, Submission). “Even if it’s subliminal, they’re woven into the language.” Filmmaker John Hughes had a string of hit films in the 1980s that were a true depiction of high school life in middle class suburbia. Movies like 16 Candles, The Breakfast Club, and Pretty in Pink portrayed teen characters with depth and intelligence but were also comedic.
Reel Cinemas has announced that it is adding a ScreenX screen to its theatre in The Dubai Mall, which is the world’s largest and most visited retail and entertainment destination and welcomes more than 80 million visitors every year.
The Fourth Annual Asian World Film Festival will once again be held in Culver City, California with opening night scheduled for October 24 and closing night November 1. This year's theme will focus on the female empowerment, said the festival’s executive director Georges N. Chamchoum.
Cinionic, the Barco cinema joint venture, will be the exclusive laser projection provider for Kinepolis. The replacement of hundreds of existing and new screens with Barco laser projectors will take place over the next three years across Western Europe and Canada.