Southern California-based Arcadian is a specialist in creating and managing workflows to produce streaming content. It offers expertise in transcoding and interoperable media format packaging, ensuring that content is ready for delivery to consumers according to the specific protocols, formats and packaging requirements of individual streaming services. The workhorse tool the company uses to accomplish that task is Cortex from MTI Film.
4K Ultra HD
Eurofins Digital Media Services, formerly My Eye Media, has opened an office in New York City’s Chelsea district. The company says it is the first facility in the greater New York area, dedicated solely to master quality control with a focus on 4K/UHD high dynamic range video and immersive audio formats.
The sixth and final Emmy award winning series of The Americans, a period spy thriller set in the 1980s during the Cold War, was recently finished in high dynamic range and 4K Ultra HD at Technicolor PostWorks in New York. Since series two, the look of the finished series has been the responsibility of John Crowley, Senior Digital Colorist, working on the Baselight color grading system from FilmLight.
South Africa’s Nu Metro Cinemas is opening Xtreme theatres at Nu Metro Emperors Palace in Johannesburg and Nu Metro Galleria on the KZN South Coast.
The Deluxe Entertainment Services Group announced today that its compression and authoring services are now Dolby Vision approved, which will rapidly facilitate the release of more high-quality 4K UHD Blu-ray content into the market. Paramount Pictures’ Transformers: The Last Knight will be one of the first Dolby Vision 4K UHD Blu-ray titles delivered.
Snell Advanced Media’s LiveTouch replay and highlights system and its Kahuna 9600 production switcher were central to the first live UHD production workflow of the 2017 Isle of Wight Festival. Based in High Wycombe, UK, CTV Outside Broadcast has 12 trucks in operation and has provided live coverage for a wide range of events including The European Golf Tour, The London Marathon as well as primetime studio-based programs including Strictly Come Dancing and The Brit Awards.
Anne with an E, a Netflix series, is a filmed adaptation of the classic coming-of-age 1908 novel, Anne of Green Gables, by Canadian author Lucy Maud Montgomery. The series was shot by cinematographer Bobby Shore, CSC with Panasonic VariCam 35 cinema cameras. As a teenager growing up in Canada, Shore was a huge fan of director Darren Aronofsky (Black Swan, Requiem for a Dream) and his cinematographer, Matthew Libatique, ASC. While studying film at Concordia University in Montreal, he worked as an extra on the set of Abandon (2002), a feature film shot by Libatique. “When I would read about movies he [Libatique] was working on, it always seemed like his work came from an emotionally driven place,” reveals Shore. “It was easy for me to latch on to his ideas.”
Shared storage and media management systems company EditShare will expand its UK operations with a brand new office opening in London’s Soho district in July. The central London location features full demonstration capabilities of Ultra HD workflows. The facility will also offer professional and business development services, providing the local creative community a place to gain hands-on experience along with expert guidance for building next-generation editorial and VFX workflows.
Éclair today announced the launch of its UHD 4K Blu-ray authoring services with the French release of Damien Chazelle’s La La Land.
Two Netflix shows – Master of None and Love – have three things in common: both are comedies, both have a cinematic look and cinematographer Mark Schwartzbard shot both. Created by comedian Aziz Ansari and Alan Yang, Master of None tells the story of Dev, a 30-year-old actor who attempts to balance his career and love life in New York City. Love, created by Judd Apatow (Trainwreck, This Is 40), Paul Rust, and Lesley Arfin, explores an intense relationship between two Angelenos, Mickey (Gillian Jacobs) and Gus (Paul Rust).