Robert Lorenz’s movie The Marksman debuted at number one upon release in the U.S. and owes much of its look to cinematographer Mark Patten. “The nature of the shoot is that the story starts in the big vista landscape of New Mexico and then turns into a road movie,” said Patten.
Produced to extremely high production standards and directed by Indian American filmmaker Mira Nair, A Suitable Boy tells the story of spirited university student Lata (Tanya Maniktala) as she comes of age in North India in 1951, at the same time as the country is carving out its own identity as an independent nation and is about to go to the polls for its first democratic general election. The series involves more than a hundred characters, many belonging to one of four extended families.
When Graham Sheldon got the call from showrunner Johnny Fountain to be his DP for remote production on the new Behind Every Man series, he felt up to the challenge. Sheldon’s technical background, and his willingness to try new and potentially unproven shooting methods gave him the confidence to capture the interview-heavy documentary-series amid COVID-19 restrictions.
German cine lens manufacturer Ernst Leitz Wetzlar has added a Henri cinematographer’s viewfinder to the new Leica SL2-S camera. The upgraded cine application of the new SL2-S was the main trigger for Leitz to collaborate on this project.
Fugitive Dreams, based on the play by Caridad Svich, is an allegorical road movie touching on themes of homelessness, mental health and addiction, as two lost souls embark across a dreamscape America. Their darkly strange journey confronts them with their traumatic pasts, and bonds them in compassion and love. For cinematographer Peter Simonite, ASC, CSC lensing the film meant needing a vintage look — but a look that was also consistent between lenses.
The Flight Attendant, the Max original series from WarnerMedia Entertainment for the new HBO Max streaming service in the U.S., tells the story of how an entire life can change in one night. Flight attendant Cassandra “Cassie” Bowden (Kaley Cuoco, The Big Bang Theory) wakes up in the wrong hotel, in the wrong bed, with a dead man — and no idea what happened.
Cinematographer Akis Konstantakopoulos, GSC, mixed natural lighting and handheld camera work to bring a natural and informal dimension to The Chosen, a multi-season TV show charting the life of Jesus Christ. “If you normally find Bible projects boring or unrelatable, like I do, this will feel different. And I like to think that the look of it has contributed to it being such an international hit,” said Konstantakopoulos.
Sony Electronics today officially announced the FX6 model ILME-FX6V camera, the latest addition to Sony’s cinema line, which also includes the Venice and FX9 cameras. This newest camera delivers a coveted filmic look cultivated from extensive experience in digital cinema production, as well as enhanced operability thanks to an innovative body design, extensive durability and intuitive customizability
Following the lift of the first lockdown in London caused by the COVID-19 outbreak in early July, cinematographer Matteo Bangrazi and filmmaker Alfred George Bailey immediately jumped on set with the rest of their team to film the dance documentary I Still Breathe. The film is about a group of socially aware young adults who give extraordinary and deeply emotional testimonies of being black, mixed race, and white in London, England.
Red Digital Cinema’s new Komodo 6K camera system is now available to order. The highly anticipated Komodo 6K comes to market after extensive engineering to incorporate production-tested innovations, including a breakthrough global shutter sensor (27.03mm x 14.26mm) that maintains Red’s standard of image quality and dynamic range. The camera is packaged in a small four-cubic-inch (101.6 mm) form factor and weighs only 2.1 pounds (0.95 kgs).