Canon EOS R5 C Camera Approved by Netflix
Canon’s EOS R5 C has been added to Netflix’s list of approved cameras. This allows filmmakers to use Canon’s full-featured, hybrid full-frame mirrorless camera for Netflix productions.
Canon’s EOS R5 C has been added to Netflix’s list of approved cameras. This allows filmmakers to use Canon’s full-featured, hybrid full-frame mirrorless camera for Netflix productions.
A cinematographer, executive producer, and whiskey aficionado, Johnny Derango was corresponding with the owner of The Bottle Haus, an online liquor retailer, who it turned out was looking for someone to create a series of commercials to promote their business on social media. “The directive given to me was to do a commercial that gives the bottles personality, as well as be funny,” said Derango. “It was very open ended, so I had to conceptualize that.”
The makers of the Screen Gems feature film The Possession of Hannah Grace are claiming an interesting cinema technology first: the project was shot in Boston using Sony A7S II mirrorless digital cameras combined with large format Hawk 65 anamorphic lenses from Vantage, an unlikely combination featuring lenses designed for large digital sensors combined with a full-frame camera with a DSLR form factor and a price tag under $3,000. Nevertheless, the filmmakers say it made for a high-quality, cost-effective production workflow.
Director Josh Greenbaum’s acclaimed feature documentary The Short Game is now available on Netflix and DVD. The movies profiles eight talented and engaging young competitors at The World Championships of Junior Golf, in Pinehurst, North Carolina, and at their homes in various countries around the world (South Africa, the Philippines, France, China, the United Kingdom and the United States). Filming with the help of 18 Cinema EOS C300 cameras and a variety of lenses from Canon. The Short Game included everything from traditional documentary-style visits to the homes of the eight young golfers for character-based footage, to extensive tournament coverage.
Director Josh Greenbaum’s acclaimed feature documentary The Short Game is now available on Netflix and DVD. The movies profiles eight talented and engaging young competitors at The World Championships of Junior Golf, in Pinehurst, North Carolina, and at their homes in various countries around the world (South Africa, the Philippines, France, China, the United Kingdom and the United States). Filming with the help of 18 Cinema EOS C300 cameras and a variety of lenses from Canon. The Short Game included everything from traditional documentary-style visits to the homes of the eight young golfers for character-based footage, to extensive tournament coverage.
Sony has added the a7S to its line of full-frame interchangeable lens DSLR cameras. The announcement came during last week’s National Association of Broadcasters show in Las Vegas.
Among the products highlighted by Manios Digital and Film at last week’s National Association of Broadcasters convention were newly upgraded versions of Kinotehnik LCDVF and LCDVFe viewfinders for DSLRs.
Climate change is a complex global phenomenon. Documenting its many aspects for a new multi-part cable series required an HD production format that could not only provide a cinematic, audience-friendly look but also the flexibility to capture everything from expert interviews to location footage shot in a wide range of temperature extremes. Challenged with these requirements, the producers of Showtime’s Years of Living Dangerously chose Canon EOS C300 digital cinema cameras and a wide variety of Canon optics, including Canon CN-E Cinema prime lenses, for the superb image quality, extreme mobility, and creative capabilities needed to make this multi-camera documentary-style series.
The deadline and budget were tight. The client – a leading maker of iconic, affordable jeans – wanted stills and a beautifully photographed film-style location-shoot commercial turned around in one day.
Filmmaker Matt Ogens latest effort is a feature length documentary called Meet the Hitlers. When he selects the right for any of his projects his first thought, though, is how best to tell the story is wants to convey. “It all comes down to telling great stories,” said Ogens. “There are different types of stories, and the nature of the story itself may change how I capture it on film. To decide on that, I collaborate with a director of photography and ask what type of camera he or she thinks is best for each project from a creative perspective, but sometimes the reality of a budget may also dictate what cameras are available to me. We will discuss the look I want for the story and then the DP and I will choose the camera.”