Editing

Qube Cinema Supports Cinecolor's Transition to Digital Cinema

Tue, 12/03/2013 - 12:35 -- Nick Dager

Qube Cinema has sold its digital cinema servers and DCP mastering software to Cinecolor post-production facilities in five Latin American countries. Each of the Cinecolor post houses – in Argentina, Chile, Brazil, Mexico and Columbia – now has a Qube XP-D server in its screening room for QC of its DCPs. Cinecolor Argentina and Columbia also use QubeMaster Pro for mastering DCPs. The DCP mastering and QC equipment enable Cinecolor to meet the growing demand for digital cinema post-production services in Latin America.

Documentary Joachim Prinz: I Shall Not Be Silent Posted at Aciem Studios

Thu, 11/14/2013 - 12:14 -- Nick Dager

Aciem Studios recently completed the post-production, mixing, and finishing for the documentary feature film Joachim Prinz: I Shall Not Be Silent, which had its US premiere at the New Jersey Performing Arts Center earlier this month as part of a special event produced by the New Jersey Jewish Film Festival.

Technicolor-PostWorks New York Posts Five Films Screening at Toronto Film Festival

Thu, 09/26/2013 - 14:53 -- Nick Dager

Technicolor-PostWorks New York provided post-production services to five films that screened at this month’s Toronto International Film Festival. They included three narrative films, John Turturro’s Fading Gigolo, David Frankel’s One Chance, and Ned Benson’s The Disappearance of Eleanor Rigby: Him and Her, as well as Alex Gibney’s documentary The Armstrong Lie, and The Weinstein Company’s concert film 12.12.12: The Concert for Sandy Relief.

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