The European Audiovisual Observatory, part of the Council of Europe in Strasbourg, has completed a mapping exercise to provide a comprehensive picture of the rules defining the nationality of an audiovisual work in Europe. This landmark study was undertaken at the request of the European Commission in collaboration with a group of national experts.
NEC is offering a free four-month extension to its existing NEC projector warranty contracts throughout Europe, the Middle East and Africa.
As movie lovers cope with the challenges of quarantining, entrepreneurs around the world have experimented with an almost endless number of variations of drive-in and pop-up theatres. No one knows if this is a trend that will sustain itself or a fad that will fade away once the pandemic has ended. But I thought it would make sense to get some perspective about what’s involved in that kind of business from the people at Cinemobiel in Belgium, a group of friends who, for the past 20 years, have been presenting movies from a fire truck in towns all across their country. Which is why I spoke, via email, with Simon Verschelde, Cinemobiel’s only fulltime employee.
The International Union of Cinemas, the body representing European cinema trade associations and operators, has today issued the following statement on the current situation with regard to the outbreak of coronavirus/COVID-19:
In 2018, a total of 696 European films were theatrically released in at least one of the 15 non-European markets, a new report shows. This is the largest number of European films released outside Europe in the past five years and represents about nine percent of the total number of European films on release worldwide. European films represented 18 percent of the tracked number of films on release in the 15 non-European sample markets. The European Audiovisual Observatory has released an updated edition of the report entitled The Circulation of European films outside Europe.
The International Union of Cinemas, the body representing European cinema trade associations and operators, has today released its provisional update on admissions and box office revenues across Europe for 2019. While some data remains to be collated and figures for certain territories are based only on initial estimates, the overview provided by UNIC represents the first wide-ranging assessment of the performance of the European cinema sector in 2019. More detailed final data on the performance of each territory will be released in Spring 2020.
CinemaNext, the European specialist in cinema exhibitor services, today announced the launch of its dedicated e-commerce platform, CinemaNext Shop, in France, Belgium and Luxembourg. The site will be rolled out to cinema exhibitors across Europe and internationally in early 2020.
European exhibitor Les Cinémas Pathé Gaumont is installing more than 200 Barco Series 4 laser projectors. Cinionic, the Barco, CGS, and ALPD cinema joint venture, will power Les Cinémas Pathé Gaumont’s new builds in France and Africa, beginning with its new theater in Sousse Tunisia, Africa. Currently, Les Cinémas Pathé Gaumont operates more than 100 theaters across European and African countries. Together the companies will upgrade new and existing Les Cinémas Pathé Gaumont theaters to bring an elevated movie-going experience for its audiences.
Day-and-date film release is still a rarity in the European film market. A new free report by the European Audiovisual Observatory clarifies the release windows situation in Europe by providing a thorough analysis of the system and the economic and legal rationale on which it is based.
A new study from the European Audiovisual Observatory has found that the average release window in Germany, France, United Kingdom, Belgium and the Netherlands is 19.4 weeks from the time of a film’s release and it’s availability to purchase via video on demand.