Ncam, manufacturer of real-time camera tracking technology, has opened two new locations built to support the growing demand for smart stages and training facilities in Europe and Latin America. Located in Prague and Rio de Janeiro, the new premises add to Ncam’s existing London and Los Angeles bases.
The International Cinema Technology Association today announced the 2021-2022 winners of the ICTA EMEA Awards, celebrating technological leadership, design, and innovation in the cinema exhibition sector in Europe, the Middle East and Africa. The winners will be celebrated during ICTA’s annual awards and dinner reception October 3 in Barcelona, just before the start of CineEurope. This year’s winners are:
After a year’s delay caused by the COVID-19 pandemic, Omniplex Killarney in Kerry, Ireland is officially open for business. “The reopening of cinemas in Ireland is a seminal moment for cinema lovers,” said Mark Anderson, director of Omniplex Cinemas.
The selection is complete for the Virtual Reality works of the 78th Venice International Film Festival. The Venice VR Expanded will again be held online September 1-19. From September 1-11 the Venice VR Expanded Program will be available on site for accredited festival guests, at the VR Gallery in the Palazzo del Casinò (Lido di Venezia), Sala Amici, upon reservation.
The International Union of Cinemas and the Film Expo Group have announced the 2021 recipients of the CineEurope Gold Awards, given to cinema professionals for their outstanding dedication and service to the sector. The Awards will be presented as part of the CineEurope Awards Ceremony on October 7 at the Centre de Convencions Internacional de Barcelona in Barcelona, Spain.
How can Europe ensure better respect of diversity and inclusion in its cinema, television, and video on demand industries? A new report, now available for free from the European Audiovisual Observatory, addresses these concerns.
For the fifteenth time, Christies is the projection technology partner for the Cannes Film Festival, which began today and runs through July 17. It will be the first in-person edition of the Cannes Film Festival since 2019, and Christie will provide installation and show support for the occasion.
While it has been widely understood that, because of the pandemic, 2020 was a terrible year for the cinema business, a new report from the European Audiovisual Observatory documents just how bad it really was. The theatrical market collapsed in 2020 with cinema attendance in the EU and the UK plummeting by 70.2 percent to an estimated 300 million tickets, down from more than one billion admissions in 2019 (the highest level since 2004). Gross box office earnings dropped correspondingly from Euro 7.20 billion to Euro 2.13 billion (US 2.4 billion), down by 70.4 percent from 2019, as the average ticket price in the EU remained stable at Euro 7.1 (USD 8.1).
The International Union of Cinemas, the European cinema trade grouping, has launched the fifth edition of its Women’s Cinema Leadership Program, a 12-month mentoring program for women in cinema exhibition.
A new digital platform with the working title Cinnovate has secured € 380.000 funding through the European Union programme Cinemas as Innovation Hubs for Local Communities. The effort’s partners include four of Europe’s leading arthouse cinema networks – Folkets Hus och Parker, Folkets Bio (both from Sweden), Access Cinema (Ireland) and Art kino mreža Slovenije (Slowenia) – that together count 308 screens in three territories and will be coordinated by Cologne-based video-on-demand and digital distribution experts Rushlake Media and independent consultant Jan Runge. Additional content and network partners are the Event Cinema Association (United Kingdom), Spielfabrique (Germany) and IMZ International Music + Media Centre (Austria).