Simon Hill, senior dubbing mixer at Halo Post in London, has worked on some of the biggest dramas for television and streaming outlets. Included among these is Bulletproof, which airs on Sky One in the UK and CW in the U.S., as well as the British film, Ghost Stories. With audiences craving more and more content, post houses must turn out projects at increasing speeds.
Industrial Light & Magic has announced the next phase of its global expansion plan for the company’s virtual production and StageCraft LED volume services. This expansion of services is tied to a proactive initiative for increasing diversity in the industry by combining ILM’s growth in this innovative methodology with a global trainee program geared for underrepresented VFX talent.
For the past few months, movie theatres around the world have been working hard to prepare to welcome audiences back safely. In response, Cinionic, the Barco, ALPD, and CGS cinema joint venture, launched the #CinemaReady campaign. The initiative celebrates the shared love for the big screen experience and provides resources on what to expect during your next trip to the movies.
Dolby Laboratories and China’s Wanying Cinema Line today announced that the two companies have strengthened cooperation to further extend the Dolby Cinema experience to more moviegoers with a plan to add more than ten additional Dolby Cinema locations across China. Wanying Cinema Line is wholly owned by China Resources Land, a leading commercial real estate company in China.
Star Cinema Grill’s new drive-in theatre at their Cypress, Texas location is open and is set to premiere director Christopher Nolan’s latest film, Tenet, on Thursday September 3.
Rising Sun Pictures served as a principal visual effects provider for The Eight Hundred, the epic war film from director Guan Hu and Huayi Brothers Media and Haining Seventh Image Movie & Media Company. To date, the film has already earned more than $200 million in Chinese theatres alone. The film centers on the true story of the 1937 Battle of Shanghai where a Chinese battalion mounted a determined defense of the Sihang Warehouse from the invasion of the Japanese army. Working in collaboration with BangBang Pictures, Beijing, and overall VFX supervisor RSP’s Tim Crosbie, RSP contributed scores of richly detailed, seamless visual effects to support the film’s riveting combat scenes, all set around a massive warehouse complex near the city center.
At a time when the COVID-19 pandemic has disrupted movie releases, put an end to red carpet premieres, closed cinemas and forced those that have managed to reopen to block out seats to create social distancing, the Paris based design firm Ōma is proposing something revolutionary.
For more than three decades, Warner Bros. re-recording mixer Jonathan Wales has created audio magic for numerous feature films, documentaries and television shows. Two recent projects were the Warner Bros. movie Doctor Sleep and the Netflix series 13 Reasons Why. As content creation and technical specifications change, Wales finds himself having to adapt to newer audio compliance standards across a variety of platforms.
When New York City began Phase 4 reopening of its economy, it paved the way for the resumption of film and television production under restrictions designed to forestall the spread of coronavirus. Productions must implement testing, apply rigorous cleaning measures and practice social distancing. But the good news is, the city is back in the business of making films and television shows.
More than $2.6 billion in domestic box office might have been sacrificed in 2019 had a 17-day window been in place. A new report from the research firm Gower Street Analytics shows that 24 percent of total box office across the domestic market last year was taken beyond Day 17 of release. In the most dramatic example of this, Sam Mendes’ 1917 grossed $129 million at the domestic box office beyond Day 17 – an astonishing 81 percent of its lifetime gross.