Strong/MDI Screen Systems has produced and delivered the world’s tallest Imax screen to Royal Cinemas in Pooler, Georgia. The venue is set to open by the end of February.
Shooting a second season of an award-winning show could potentially have been creatively restrictive, but cinematographer Caroline Bridges and director Patrick Harkins chose to evolve the original look of Guilt by enhancing the cinematic nature of the show.
The Pathé Tuschinski in Amsterdam, which has been widely acclaimed as the most beautiful movie theatre in the world, celebrated its 100th anniversary last October. Pathé Tuschinski is regularly used for red carpet premieres and, with three more auditoriums added by the purchase of the next-door cinema in the 1980s, audiences can watch films in the luxury of its restored Art Deco interior, with plush seating, private boxes, love seats and at-seat delivery of food and drink. The cinema also boasts 21st Century sound.
The CBC/IMDb TV original crime drama series Pretty Hard Cases – now in its second season – was shot in Toronto; not as the typical stand-in for New York, but for Toronto itself, as the series embraces the Canadian city and makes it a character as part of the storylines. Cinematographer Kristin Fieldhouse worked with the production design and costume teams to create a single signature look. “Color plays a big role in the look of Pretty Hard Cases,” says Fieldhouse.
This past weekend marked the two-year anniversary of China’s first lockdown in 2020, which marked the beginning of the impact of the COVID-19 pandemic on global box office. There have been a lot of ups and downs since then but there has also been recovery and, despite a few limited re-closures in the past two months, the global exhibition sector, and as a result global box office, is in a far more robust place than it was a year ago, according to the latest report from the London analytics firm Gower Street. China’s business was dormant this week with long-running local holdovers Embrace Again and Fireflies in the Sun sustaining the market until the Chinese New Year holiday begins on February 1.
The Cherokee Nation Film Office has announced it will soon offer a groundbreaking film incentive program, becoming the first tribal film office in the U.S. to do so. The Cherokee Nation Film Incentive will provide up to $1 million in annual funding for productions filmed within the Cherokee Nation’s 14-county reservation. “Since establishing our film office, we’ve worked diligently alongside our state and local partners to help grow the film and television industries in Oklahoma,” said Cherokee Nation Principal Chief Chuck Hoskin Jr.
Two premium large format auditoriums at Italy’s new Arcadia Stezzano Cinemas are the first global deployments of Meyer Sound Lina line array loudspeakers as screen channels for the Dolby Atmos immersive audio format. The five screen channels each comprise six element Lina arrays which anchor sonic imagery across the front end. An additional 60 Meyer Sound self-powered loudspeakers envelop audiences in a powerful, dynamic, and richly detailed cinema sound experience.
Autodesk has acquired Moxion, the New Zealand-based developer of a cloud-based platform for digital dailies used by leading filmmakers on some of the world’s most complex and challenging productions, including The Midnight Sky, The Marvelous Mrs. Maisel, and The Matrix Resurrections. The acquisition of Moxion’s talent and technology will expand Autodesk’s own cloud platform for media and entertainment upstream, moving beyond post-production into production, bringing new users to Autodesk while helping better integrate processes across the entire content production chain.
Founded in 1999 by Dr. Man-Nang Chong and headquartered in Hong Kong, GDC Technology Limited is a leading global digital cinema technology company with a long history of first to market innovations. GDC claims the largest installed base of media servers and theatre management systems in the Asia-Pacific region and the second largest globally. Twenty-five of the world’s top 30 exhibition companies depend on one or more GDC products to continually enhance the moviegoing experience, increase efficiency and reduce operational costs, the company says. GDC holds 34 patents globally, including in the USA and China.
The Madrid-based digital post-production company Twin Pines was responsible for the visual effects in La Fortuna, the new Movistar+ series directed by Alejandro Amenábar. Overall, the series contains around one thousand digitally retouched shots which called for a year’s work to recreate underwater scenes, an epic naval battle, and a road journey in the United States, among many other sequences.