TCL Chinese Theatres has named Christie its official 4K digital projection partner for the renovated TCL Chinese Theatres in Hollywood. Christie digital cinema projectors have also been installed exclusively at the adjacent TCL Chinese 6 Theatres.
High Frame Rate Filmmaking
The Hobbit: The Desolation of Smaug was brought to life at Park Road Post Production, New Zealand, where the production team mastered both high frame rate stereoscopic 3D at 48 frames per second and immersive Dolby Atmos sound, and integrated it all into the digital cinema package process.
The main tool they used for the task was the DVS Clipster, which allows for the world’s first implemented high frame rate DCI workflow with Dolby Atmos.
Founded in 2007 by Emmy Award-winning cinematographer Skip Margetts, Helimedia caters to the aerial filming needs of clients across Southern Africa working in live-event broadcast, film, television and advertising. In the coming months, the company plans to venture into 4K filming.
Christie today announced that the Christie IMB, an integrated media block solution that converts and delivers feature-film and alternative content within a secure environment, now supports Dolby Atmos.
Sky-Skan's educational, 25-minute documentary, To Space & Back, which first opened in March to critical and public acclaim at the Fels Planetarium (The Franklin Institute, Philadelphia), will be re-released in September in a new version that, at 8K resolution, stereoscopic 3D and 60 frames per second.
Kamerawerk is producing Bubble Beatz's No Sleep, a story-driven music video using not only 4K acquisition but a complete 4K 60 frame per second production pipeline including cameras, editing, color grading and finishing.
Douglas Trumbull’s latest project UFOTOG, the world’s first high-frame rate (120 fps), stereoscopic 3D film, has completed production.