One of DP/colorist Gavin Fisher’s on-going assignments is a series of commercials for Adult Swim Network.
Production & Post-Production
Light Iron provided on-set color, color workflow, and final color for the weekend box office hit Ender’s Game. The company has released an in-depth video on its Ender’s Game workflow, highlighting the collaboration and innovation that fueled this multiyear project.
For writer/producer/director Robert Palmer, the idea behind I Am Alone, starring Gareth David Lloyd, began as a simple horror film video diary, but as the story developed, Palmer and partner Michael A. Weiss realized that the concept behind this project would allow them to push the boundaries of both reality TV and horror films.
Australia’s largest independent post house Soundfirm, will be the first facility in the country to be fully equipped to meet the post-production needs for Dolby Atmos cinema sound.
The Society of Motion Picture and Television Engineers will sponsor the Super Session UHD/4K Implementation: Practical Issues and Technical Realities at Content and Communications World. During the November 13-14 event at New York City's Javits Convention Center.
The movie’s budget was ultra-low, the shooting schedule just 21 days, and the studio mostly the mean streets and cramped tenements of Manhattan’s Lower East Side. Add a first-time director/screenwriter who is also portraying the film’s main character, and it was clear that making Straight Outta Tompkins presented multiple challenges.
The Hollywood Post Alliance has announced its lineup of presenters for the HPA Awards this week.
Dr. Siegfried Foessel, head of the department of Moving Picture Technologies at Fraunhofer IIS, has formally been awarded the Fellow grade of membership with the Society of Motion Picture and Television Engineers at an induction ceremony at the SMPTE 2013 Annual Technical Conference and Expo.
“When I was on The Office, we started off with the traditional three man tripod and head set up” says Randall Einhorn, cinematographer turned producer/director. “We had great support but it simply took too much time and manpower to set up. So, I started looking around and realized that the OConnor 1030D with the CF tripod could be the solution.
Alexis Nelson, co-founder and executive producer of Hoax Films will participate in a panel discussion entitled Creating CG and VFX in Commercials as part of The World Animation and VFX Summit on November 5th at the California Yacht Club in Marina del Rey, California.