Production & Post-Production

Making the VR Film Ajax All Powerful

Wed, 08/23/2023 - 10:49 -- Nick Dager

Written and directed by award-winning virtual reality filmmaker Ethan Shaftel and co-produced by easyAction, Veer, and Detona Cultura, the animated virtual reality short film Ajax All Powerful removes the barrier of the fourth wall to provide viewers with a uniquely immersive perspective in which they experience the events and emotions more acutely through the viewpoint of a protagonist.

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TMT Insights Launches Media Operations Division

Wed, 08/23/2023 - 10:35 -- Nick Dager

TMT Insights, which specializes in professional services and software development for the media and entertainment industry, is accelerating business transformation initiatives with the formation of a new division, Media Operations. The new group addresses what TMT sees an industry-wide need for domain expertise and resources that can bridge the critical gap between an organization’s traditional engineering and digital content operations groups.

Submissions Open September 1 for 71st Annual MPSE Awards

Mon, 08/21/2023 - 13:02 -- Nick Dager

The Motion Picture Sound Editors today announced that submissions for the 71st Annual MPSE Golden Reel Awards will open Thursday, September 1. The Golden Reel Awards honor outstanding achievement in sound editing in categories spanning feature films, long-form and short-form television, animation, documentaries, games, and student work.

Cinematographer Lawrence Sher Talks about Color

Mon, 08/07/2023 - 11:02 -- Nick Dager

Lawrence Sher, ASC, is an American cinematographer and film director best known for his work on Joker (2019), Godzilla: King of the Monsters (2019), War Dogs (2016), The Hangover (2009) and Garden State (2004). He has just completed filming Joker: Folie a deux – the follow up to the 2019 film which comes out in 2024. Last month he was appointed as the president of the 2023 FilmLight Color Awards jury. The winners of the award will be announced in November at EnergaCamerImage. Sher recently spoke with Digital Cinema Report via email about cinematography, about the role of color in the filmmaking process and about the color awards themselves. Here is that conversation.

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