Sound production for Her Smell¸ writer/director Alex Ross Perry’s new film about a self-destructive punk rocker named Becky Something (Elisabeth Moss) was completed at Goldcrest Post in New York. Ryan M. Price served as supervising sound editor, sound designer and re-recording mixer on the project, delivering a rich and nuanced soundtrack that brings to life a seedy rock club, an indie recording studio and other points along Becky’s road to ruin and eventual redemption.
“Mixers are artists, and I am a firm believer in the creative process,” says re-recording mixer Binder. “In the post-production audio business, we get looked at as technicians instead of artists. I believe that George Lucas was right when he said, ‘sound and music are 50 percent of the entertainment in a movie.’ ” Binder should know. He’s worked with some of the most notable names in the TV and film industry, including the Russo brothers, J.J. Abrams and Mark Mangini. His resumé also boasts a variety of high-profile projects such as Star Trek, Paranormal Activity, Community, Channel Zero, Deadly Class and Super 8.
Production sound mixer Adam P. Lawrence has had a lifelong love for audio/visual storytelling. For the last decade, Lawrence has turned that passion into a career, mixing audio on countless film and television productions. As with any field production, radio frequency interruptions rank highly on the list of worst-case scenarios among audio professionals.
The Motion Pictures Sound Editors presented the 66th MPSE Annual Golden Reel Awards at a black-tie ceremony at the Bonaventure Hotel in Los Angeles last Saturday night. Golden Reel Awards recognizing outstanding achievement in sound editing were presented in 23 categories encompassing feature films, long-form and short-form television, animation, documentaries, games, special venue and other media.
Los Angeles post house Inventure Studios has renovated its Studio C with the installation of a Severtson projection screen. Now all four of its studios are equipped with a Severtson woven acoustically-transparent screen. Seveterson dealer Keith Watanabe supervised the installation.
Twenty years ago, Sound Lounge was born out of a desire to create something that did not exist in the audio post-production community. Tom Jucarone, Peter Holcomb and Marshall Grupp imagined an artist-owned studio that put a premium on excellence in everything related to sound, but with a laid-back, friendly vibe. It would be a studio packed to the rafters with state-of-the-art gear, a place where they could work at a high level and nurture the next generation of sound talent, but also a “home” where they wouldn’t mind hanging out after the work was finished.
Sound production for Columbia Pictures and Sony Pictures Animations’ feature film Spider-Man: Into the Spider-Verse, which has received critical acclaim including a Golden Globe nomination and a New York Film Critics Circle win for Best Animated Feature and a Los Angeles Film Critics Association win for Best Animation, was completed on the Sony Pictures studio lot in Culver City.
Oscar winner Simon Hayes has become the first production sound mixer to use DPA’s new d:screet Core 6000 Series subminiature microphones on a major feature film. The currently untitled movie, which is due for release in 2019, is a musical comedy directed by Danny Boyle and written by Richard Curtis (Love Actually, Notting Hill). Although details of the plot are sketchy, it is set in the 1960s and 1970s and stars Lily James, Kate McKinnon, Ed Sheeran and Himesh Patel.
Box office hit, Venom, from Columbia Pictures, was among the first films to have its sound work completed through Sony Pictures Post Production Services’ expanded facilities on the studio lot in Culver City. Supervising sound editor/re-recording mixer/sound designer Will Files and his crew used a new theater-style sound design suite to create sound effects for the film, which stars Academy Award nominated actor Tom Hardy as both the alien symbiote Venom and its human host, Eddie Brock
Sound Lounge is expanding its film and television division, which provides sound editorial, ADR and mixing services for episodic television, features and documentaries. The studio is upgrading the division’s main mix stage to support editing and mixing in the immersive Dolby Atmos format. It has also added veteran supervising sound editor, designer and re-recording mixer Evan Benjamin to its team. Benjamin is best known for his work in documentaries, including the acclaimed feature documentary, RBG, about Supreme Court Justice Ruth Bader Ginsburg, as well as documentary series for Netflix, Paramount Network, HBO, and PBS.