Autodesk customers can now pay as they go for all of the company’s latest design and creation suites including Autodesk 3ds Max, Autodesk Maya and the new Autodesk Maya LT.
32Ten Studios, San Rafael, California provided a number of practical effects for Elysium, some of which were done well before principal photography on the film even started.
Film director and cinematographer Patryk Kizny and LookyCreative assembled the 2010 short film The Chapel using motion controlled HDR time-lapse to achieve an interesting, hyper-real aesthetic.
Hybride, a division of Ubisoft, in collaboration with Industrial Light & Magic, recently completed VFX work on 318 shots for acclaimed filmmaker Guillermo del Toro’s long-awaited and highly anticipated new film, Pacific Rim.
Lava Land, shot on location on Hawaii's Big Island in stereo 3D follows the exploits of brave scientists and hardy residents, from rainforests to barren rock, where lava flows from boiling vents.
Rising Sun Pictures created more than 260 visual effects shots for The Wolverine, the new action film from director James Mangold and Twentieth Century Fox. RSP helped to recreate the World War II atomic bomb attack on Nagasaki, Japan. It also produced digital environments for a number of sequences, including a scene set in a snow-covered Japanese village, and combat effects such as digital copies of Wolverine’s iconic claws for use in numerous scenes involving challenging stunts.
32Ten Studios, San Rafael, California provided a number of practical effects for Disney/Jerry Bruckheimer Films’ The Lone Ranger, which opened July 3rd in the U.S. 32Ten worked directly with Disney’s associate producer and VFX producer Shari Hanson, ILM’s VFX supervisor Tim Alexander and MPC's VFX supervisor, Gary Brozenich. The primary sequence created by 32Ten was the destruction of the train trestle bridge, including several shots of the bridge blowing up and collapsing.
Thinkbox Software has announced new plug-in offerings for Autodesk Maya including the latest version of Krakatoa MY – its popular volumetric particle renderer, XMesh MY for geometry caching and Frost MY for point cloud meshing.
White House Down co-producers Marc Weigert and Volker Engel set up their management platform Uncharted Territory in 1999 to serve as the production and visual effects hub on films they’ve been involved with including 2012, Anonymous and others. Due to the very tight, 12-month delivery schedule for White House Down, Weigert and Engel, who also served as co-VFX supervisors on the film, recruited ten visual effects vendors around the world—all using Shotgun software to push and pull shots.
VFX studio MPC has standardized on Tweak Software's image and sequence viewer, RV, for playback and review across its feature film VFX facilities in Vancouver, Montréal, London and Bangalore.