Workflow

Talking with DejaEdit Developer Nikolai Waldman

Mon, 02/17/2020 - 10:57 -- Nick Dager

CAN Film is a boutique post-production and film company based in the heart of Gothenburg, Sweden. Clas Hakeröd and Nikolai Waldman, two highly experienced and trusted names within the industry, started the company in 2015. For the past 20 years they have been producing and post-producing commercials, features, corporate films, documentaries and TV series, like The girl who played with fire, Olympic Games, Saltön, Ettor & nollor, Americas Cup, Uppdrag Granskning, Volvo, IKEA and many more. Recently, Waldman branched out to start the company DejaSoft and develop the editing software tool DejaEdit. Digital Cinema Report spoke with him about how DejaEdit came to be.

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DejaEdit

Axle AI Releases Ascribe.ai

Mon, 11/04/2019 - 10:15 -- Nick Dager

Axle AI has launched Ascribe.ai, which the company is calling a breakthrough in affordability for the artificial intelligence driven transcription of videos. Ascribe.ai is available directly from the Adobe Exchange Application Marketplace at no charge, and includes one hour of free transcription of video content on registration.

Frame.io Names Michael Cioni SVP of Global Innovation

Wed, 10/09/2019 - 12:45 -- Nick Dager

Frame.io, one of the world’s leading video review and collaboration platform used by more than one million filmmakers and media professionals, has hired Michael Cioni as senior vice president of global innovation. Cioni, one of the industry’s most prominent production and post workflow experts, joins Frame.io from international camera company Panavision, where, in a similar role, he spearheaded numerous breakthrough products and workflows, including the Millennium DXL 8K large-format camera system.

MTI Film Cortex v5.2 Certified to Support Dolby Vision Content Mapping v4

Thu, 08/29/2019 - 10:34 -- Nick Dager

MTI Film’s workflow software Cortex v5.2 has been officially certified to support Dolby Vision Content Mapping v4. Cortex can be used to apply Dolby Vision Content Mapping algorithms (v2 and v4) in preparing Dolby Vision interoperable master format packages, and when importing, exporting or modifying Dolby Vision XML and MXF files.

Addressing Yesterday’s Workflow Challenges

Wed, 07/24/2019 - 14:08 -- Sarah Priestnall

Yesterday, the new British musical comedy directed by Danny Boyle, which was released last month following its debut at the Tribeca Film Festival, used as many as twelve cameras for some scenes. This presented some serious workflow challenges. To address them, cinematographer Christopher Ross BSC, who had previously worked with Boyle on the TV series Trust was joined by Mission digital imaging technician Thomas Patrick who had worked with him for the first time on Trust in 2017.

Tags: 
Mission
Red Weapon
Panavision PVintage lenses

Matthieu Straub Joins FilmLight as Technical Advisor

Mon, 07/15/2019 - 12:19 -- Nick Dager

Well-known French digital imaging technician and film workflow specialist, Matthieu Straub, has joined FilmLight. Based in Paris, he will provide technical advice and practical assistance to FilmLight clients in France and Benelux, as well as acting as the company’s voice in local key trade groups and with training partners in the production and post marketplaces.

Films at 59 Installs PixStor 4K Storage Platform

Tue, 05/21/2019 - 12:10 -- Nick Dager

Films at 59, one of the UK’s leading post houses, has installed a Pixit Media PixStor scalable storage platform to support its 4K high-end grading and finishing work. Founded in 1990, Films at 59 is an award-winning pre- and post-production house, with sites in Bristol and Cardiff and collaborative working relationships worldwide. Delivering across all genres, the company is renowned for its achievements in high-end broadcast, particularly in factual entertainment and natural history.

Panasonic V-Log Update Earns Netflix Post Alliance Approval

Fri, 05/03/2019 - 10:06 -- Nick Dager

The latest free firmware upgrade to Panasonic’s AK-UC4000 4K/HD HDR-capable camera system has added V-Log output, incorporating the full power of the colorimetry of the company’s line of VariCam and AU-EVA1 cinema cameras and making the camera useful for post-production workflows. With the inclusion of V-Log, the AK-UC4000 has earned approval of the Netflix Post Alliance for creating Netflix-approved content, joining the VariCam 35, VariCam LT, VariCam PURE and EVA1 on the sanctioned list.

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