Is There Life on Mars?
In the documentary Red Planet Rover, new facts and findings are unveiled with the results of Mars Curiosity rover’s first two years of explorations and finally answering the question “could life ever have existed here?”
AlphaDogs
Cleaning up after Last Supper
With all the attention focused on a film’s visuals, its audio sometimes receives insufficient attention. The best cinematography and visual finish can be ruined by inadequate audio post-production, an outcome that separates the amateur from the professional filmmaker.
New Series Chronicles Big Bounty for Bigfoot
While coming face-to-face with an actual Bigfoot would likely strike terror in most people, it could now potentially make you ten million dollars richer. In the new one-hour reality competition series Ten Million Dollar Bigfoot Bounty, nine teams of lifelong Bigfoot bounty hunters—or sqautchers—use their skills combined with modern-day technology to track and capture this elusive beast, with one lucky team receiving a chance at 10 million dollars in cash.
AlphaDogs Gets the Details Right for Kennedy Documentary
“Ask not what your country can do for you—ask what you can do for your country,” is by far one of the most recognizable quotes of the 20th century. Although it’s been 50 years since John F. Kennedy's assassination shocked the nation, he still remains one of the most memorable presidents of our time. In the documentary JFK: A President Betrayed, filmmakers Cory Taylor and Darin Nellis shed new light on the pressures Kennedy faced during his presidency at the height of the Cold War.
Enhancing the Horror of Alien Hunger
One solution to a common challenge of independent filmmaking is to use multiple cameras to ensure scene coverage – especially of action scenes – to ideally save time and money. Unfortunately, because camera manufacturer settings vary, the end result can be contrasting images depending on which camera is used. This was the case with the new action sci-fi thriller Alien Hunger. Producer Jack Tucker, and editor Nancy Brindley Bhagia, had concerns in how the “horror look” would be created in the film due to lighting issues within some of the footage.
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