Three-time Academy Award-winning filmmaker Ang Lee’s much anticipated new film, Paramount Pictures’ Gemini Man, premieres October 6 at the TCL Chinese Theatre in Los Angeles. As has been the case with Lee’s most recent work, the film stretches technological boundaries by being produced in 4K resolution, stereoscopic 3D, and shot at 120 frames per second. The premiere will use Cinity, the new HFR cinema projection system developed by Christie for Huaxia Film Distribution. Christie’s strategic partnership with Huaxia Film Distribution and GDC Technology Limited resulted in the development of the Cinity Cinema System based on two Christie CP4450-RGB HFR projectors.
Cinity Cinema System
Huaxia Film Distribution recently held a grand launch in Beijing to formally introduce the Cinity Cinema System, which was unveiled earlier this year in Las Vegas at CinemaCon. A trailer of Gemini Man, the new film by Oscar award winning director Ang Lee was shown. Lee used the Cinity Cinema System to produce his latest film, Gemini Man in 4K stereoscopic 3D at 120 frames per second. He screened a trailer of the new film and made a video address to the audience gathered for the event.
A highlight of this year’s CinemaCon, which wrapped up Thursday, April 4, at Caesars Palace in Las Vegas, was the announcement of the formation of the Cinity Cinema System, a joint effort between the Huaxia Film Distribution Company, Christie Digital Systems and GDC Technology to “develop, leverage and promote premium format movies driven by new, advanced configurations.” The announcement follows several years of debate in Hollywood and around the world regarding the best way to move forward with critical technology issues including high dynamic range, high frame rate, wide color gamut and immersive sound. Those issues were widely discussed at CinemaCon and we will have more to say about the show in the coming days. But the Cinity Cinema System announcement stands out because it feels like a watershed event. The question now is this: is Hollywood still the center of the motion picture industry or is that center shifting to China?