Directed by John Crowley, We Live in Time explores love, loss, and the fragility of life, painting an intimate portrait of the relationship between principal characters Almut (Florence Pugh) and Tobias (Andrew Garfield). With the support of Panavision London and Panalux London, cinematographer Stuart Bentley, BSC crafted a visual approach that enhances the story’s raw emotion while remaining unobtrusive.
Yesterday, the new British musical comedy directed by Danny Boyle, which was released last month following its debut at the Tribeca Film Festival, used as many as twelve cameras for some scenes. This presented some serious workflow challenges. To address them, cinematographer Christopher Ross BSC, who had previously worked with Boyle on the TV series Trust was joined by Mission digital imaging technician Thomas Patrick who had worked with him for the first time on Trust in 2017.
