SGO released Mistika v8 earlier this month at the National Association of Broadcasters show in Las Vegas. Mistika v8 features an advanced and complete color grading toolset. Each one of an infinite number of color correction layers contains every grading tool within the system including: primaries, fixed vectors, custom curves, and Mistika’s own enhanced five ball primary system – bands.
Production & Post-Production
Codex introduced the Action Cam earlier this month at the National Association of Broadcasters show in Las Vegas. The camera delivers high-definition shooting, capture, transcoding and data management for situations that require a compact form factor and low weight. It comprises a tiny camera head and a Codex Camera Control Recorder that delivers full remote control of the camera, plus the proven workflow of Codex.
In what counted as one of the surprises at the event, Blackmagic Design unveiled the Blackmagic Cintel film scanner earlier this month at the National Association of Broadcasters show in Las Vegas. The real time system can scan 16mm and 35mm film into UltraHD.
As motion picture, television and commercial production continue to transition to ever-higher resolution digital video and computer graphic imaging formats, color-grading and post-production professionals increasingly rely on reference displays with exceptional detail, color and gradation accuracy. The DP-V3010 4K reference display was developed in response to this.
At the National Association of Broadcasters show earlier this month in Las Vegas Blackmagic Design introduced Blackmagic Ursa, a high-end digital film camera the company says is “designed to revolutionize workflow on set.” Built to handle the ergonomics of large film crews as well as single person use, Ursa has multiple accessories built in, including a massive 10 inch fold out on set monitor, large user upgradable Super 35 global shutter 4K image sensor and internal dual Raw and Apple ProRes recorders.
Autodesk unveiled the latest version of Smoke 2015 earlier this month at the National Association of Broadcasters convention in Las Vegas. In addition to significant new creative tools andperformance enhancements, Smoke 2015 will soon be available as a Desktop Subscription, so customers can access the software on a pay-as-you-go basis for the first time.
At the National Association of Broadcasters convention held earlier this month in Las Vegas, Assimilate announced v8 versions of its popular Scratch and Scratch Lab software, allowing users to encode Apple ProRes files on Microsoft Windows 7/8-based PCs. Scratch and Scratch Lab customers can now use both the OS X and Windows versions of the software. Artists either on-set, or in post-production are guaranteed the highest possible quality and encoding speeds on each platform. In addition, Scratch 4K is now available at Scratch 2K prices.
Arri showcased its new Amira camera at the National Association of Broadcasters show earlier this month in Las Vegas. A versatile documentary-style camera that combines exceptional image quality and affordable CFast 2.0 workflows, the Amira has an ergonomic design optimized for single-operator use and extended shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag, Amira is hardy enough to take anywhere and features in-camera grading with preloaded looks based on 3D LUTs, as well as 200 fps slow motion.
In what was arguably the hit of the event, AJA Video Systems unveiled the Cion camera at the National Association of Broadcasters show earlier this month in Las Vegas. The totally new camera features an ergonomic design and is capable of shooting at 4K/UltraHD and 2K/HD resolutions. AJA pioneered lens-to-post Apple ProRes workflows with the introduction of the Ki Pro product line in 2009 and Cion builds on this achievement by offering in-camera recording directly to the Apple ProRes family of codecs - including 12-bit 444 - for pristine image capture.
The U.S. comedy series Anger Management from Debmar-Mercury Productions on FX Network has saved an estimated $2.25 million in post-production costs, while supporting the delivery of double the number of episodes typically produced over the same production period. The producers attribute the savings to Cinedeck RX technology