Production & Post-Production

Tracking The Walking Dead

Tue, 01/28/2014 - 14:34 -- Nick Dager

Sound technician Robert Maxfield just wrapped Season 4 of The Walking Dead and he says it’s one of the hardest shows he’s ever worked. On The Walking Dead, it is common to have to make quick cues between the numerous and spread out actors in various scenes. “We work outside a lot on this show,” he explains. “The actors are typically spaced far apart. The cameras, three on average, are usually spaced over a broad area and are placed at a great distance from the talent . . . many times throughout wooded forests. This requires that I be on a long ridged pole, that allows me to move quickly and precisely.”

Fujinon Announces Zero Percent Financing on Cabrio Zoom Lenses

Tue, 01/28/2014 - 14:26 -- Nick Dager

Fujifilm is conducting a Zero Percent Financing program on purchases of its Premier PL ZK series of Cabrio lenses. Beginning today through March 31, any new purchases of a Fujifilm Premier PL19-90mm Cabrio (ZK4.7x19), PL 85-300mm Cabrio (ZK3.5x85B) or PL 14-35mm Cabrio wide-angle zoom (ZK2.5x14) will be eligible for the company’s Zero Percent Financing for 24-month program. The program is currently open to U.S. and Canadian customers only.

Test Pilots

Thu, 01/23/2014 - 15:20 -- James Mathers

The industry doesn’t do as many pilots as in years past, which is a shame, because they can be a valuable format for testing not just story ideas and actors but new technology. In my role covering new cinema technology for the Digital Cinema Society I am often offered gear to test and evaluate, everything from new lighting units and cameras to various digital cinema recorders. Since I need to keep busy earning my living as a director of photography, I honestly don’t have time to run scientific tests, so I prefer instead to use the gear in real world productions I’m hired to work on. You could call me a technology test pilot. I get a better sense of how these tools perform where the rubber hits the road, and it’s a good way to help out the productions I’m working on, pulling in items they might not otherwise be able to afford. The perfect opportunity to put many of these items through their paces came up recently when I was asked to shoot a feature length pilot for a new action/adventure show aimed at young adults entitled, Tribe of the Wild.

Hula Post’s Actions Speak Louder Than Words

Thu, 01/23/2014 - 14:48 -- Nick Dager

Hula Post Production provided editorial systems, facilities and support to editor Melissa Kent and her crew during the production of the indie film Louder Than Words, the new dramatic feature from Identity Films. Hula set up and maintained a remote editorial facility in Connecticut, where the film spent five weeks shooting, and later provided editorial facilities at its Tribeca West location in West Los Angeles.

Playtime Posted at The Look on Mistika

Thu, 01/23/2014 - 14:42 -- Nick Dager

The Look has finished Playtime, a 70-minute, seven-screen artwork installation created by celebrated video artist Isaac Julien. Designed to explore the relevant and dramatically nuanced subject of capital, the creatively and technically challenging feat is available for viewing January 24 through March 1 at Victoria Miro Gallery in London before being showcased around the world.

Brennen Dicker Joins SIM Digital Atlanta to Lead Post Operations

Thu, 01/23/2014 - 14:20 -- Nick Dager

SIM Digital Atlanta has named Brennen Dicker as Post Production Manager. Dicker, who previously served as Director of Post Production Sales at Crawford Media Services, arrives with broad experience in all aspects of film and television production, and deep ties to Atlanta’s production community. In his new role, he will lead SIM Atlanta’s Bling Digital unit which provides a variety of leading-edge data management, dailies processing and post production services to film and television productions. SIM Digital also maintains facilities in Los Angeles, Toronto, Vancouver, Halifax and Beijing.

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