Assimilate’s Scratch 8.5, build 909, now includes support for Red’s new 8K Weapon Helium Sensor, as well as the 8K Weapon VistaVision-sized full frame sensor. Support includes the Log3G10 gamma space and RedWideGamutRGB color space.
The 38th edition of The Reel Thing, a three-day symposium addressing audio/visual restoration and archiving, will explore the constantly evolving ecosystem of film and digital restoration and preservation. This year's program will examine legacy film restorations and showcase modern technologies being used to future-proof collections and keep them viable for future display and distribution formats. The event will take place August 18-20 at the Academy's Linwood Dunn Theater in Hollywood.
Mocha Chai Laboratories, Singapore’s first fully integrated digital film lab, has installed the Christie Vive Audio cinema sound system in its dubbing theater to provide the best possible cinematic audio capabilities for post-production tasks. The dubbing theater, which is fully equipped with audio post-production and 4K color grading facilities, is fully compliant with the DCI-standard.
Red Digital Cinema in partnership with Outside Television has announced Isaac Sokol’s Into Dust as the winning short film in this year’s edition of the ReDirect Explore competition. Second place went to Jesse Hoffman for The Process. Joey Schusler’s Pedal to Peaks won the Fan Favorite category.
A mouth-watering new advertising campaign from AKA NYC promotes next year’s premiere of Charlie and the Chocolate Factory, the new musical as bringing a special excitement to New York City. In the first of three teaser spots breaking online this week, the show’s arrival in Manhattan is heralded by a thick bank of purple clouds that spreads over the city, and the appearance of a mysterious figure in white spats and a purple coat. Rolling out over the next several weeks, additional spots depict a city increasingly electrified by Wonka magic. The campaign’s climactic ad is a visual effects tour de force as the eccentric candy maker works his magic on some of New York’s most familiar landmarks…with spectacularly sweet results.
One of the most memorable episodes of season 6 of Game of Thrones was the Battle of the Bastards, in which Meereen is under attack by a huge fleet of ships firing flaming pitch at the city. It was also just a sample of the effects work that Rodeo FX did for the series. The studio created FX simulation of flaming cannonballs, shot from ships in the harbor and ripping holes in buildings while CG smoke and particles fill the air. The Dothraki Horde comes to the rescue, during which there is a CG decapitation. Daenerys climbs on Drogon, flies across the Meereen gates, and gets the dragon to breathe fire to destroy the ships.
When Luke Sauer, veteran director of photography of reality television production, including Wives with Knives and I (Almost) Got Away with It, was selected to shoot the Lasso he knew it would involve a lot of night shoots. Lasso, a survive the night thriller directed by Evan Cecil, centers around senior community center workers Kit (Lindsey Morgan) and Simon (Andrew Jacobs), whose lives are turned upside when they find themselves fighting to stay alive against a group of bloodthirsty cowboys from the local rodeo. Lasso is his first feature project. Currently in post-production, the film is slated for an early 2017 release.
Cloud-based media management company WCPMedia Services has implemented a new type of architecture, embedding shared, fast storage layers into a virtual environment. The company says this results in a boost in performance for the transcoding and QC engines that are true game changers.
Canadian media and content company Corus has purchased a turnkey Quantel Rio 4K editing, color, and finishing system with a Neo control panel, enabling the company to build a 4K HDR post-production workflow into its operations. This is the fifth Quantel Rio system purchased by Corus, and its first in a 4K configuration.
Event cinema works best when the programming is directed at groups passionate about a specific cause. In those instances the movie theatre turns into a town square where people can share thoughts and ideas about how to make their cause a reality. A case in point, the theatrical run for Making a Killing: Guns, Greed and the NRA is scheduled for August 12-18 in Los Angeles and August 19-25 in New York City. Brave New Films, the documentary and short film production company headed by award-winning filmmaker Robert Greenwald, will partner with gun-violence prevention activists to turn multiple screenings during the theatrical run into opportunities to inform audiences about the issue and to organize against the forces of gun profiteering.
