The Association of Moving Image Archivists has launched the AMIA Diversity and Inclusion Fellowship Program a new initiative designed to expand career opportunities, advance learning objectives and guide professionals from groups that have been traditionally underrepresented in the field of audiovisual archiving and preservation.
Production & Post-Production
New York Women in Film & Television has received a significant grant from the Academy Foundation of the Academy of Motion Picture Arts and Sciences. The funding will provide general operating support for the organization and will allow it to further its initiatives in direct response to the COVID-19 pandemic.
Inspired by Michael Connelly’s Harry Bosch novels, the Amazon Prime Video police-procedural series Bosch premiered its sixth season on April 17. The show has also been renewed for a seventh and final season, offering one last outing for the eponymous LAPD homicide detective. Cinematographer Patrick Cady, ASC has been behind the camera for roughly half of the show’s 60 episodes to date, going back to Season 1. From the beginning, Cady and his collaborators have sought to create a sense of realism grounded in the show’s Los Angeles locations.
When he was asked to work on the hit thriller Aadai, India based digital cinema designer and colorist G. Balaji understood the importance of the color grade for the movie’s overall success. With the film, Balaji said he wanted to break the stereotype of how India is shown.
Rising Sun Pictures is celebrating its 25th anniversary this month, another milestone for the visual effects studio which, from humble beginnings, has gone on to produce ground breaking work for more than 150 motion picture and series productions, including some of the most popular and critically-acclaimed films of the past two decades.
When cinematographer Scott Peck first learned that he was going to be shooting Stargirl, a new series on the DC Universe streaming service, he started doing a lot of research about the original DC Comics character Stargirl and its creator Geoff Johns.
Making lead actors and actresses look their very best has been a challenge for cinematographers since the earliest days of film. So it was business as usual when series creator and showrunner Liz Feldman wanted her main actresses to look their best on screen for season two of her hit Netflix show Dead to Me. She brought in cinematographer Toby Oliver, ACS to handle the job.
The corona virus pandemic has impacted people and businesses worldwide. The strict quarantine restrictions have made it difficult for educational institutions to continue to operate. However, Rising Sun Pictures, whose core business is to problem-solve and find creative solutions, devised a plan to continue the delivery of their education program with little disruption.
Whip Media Group has named Pixelogic as a strategic supply chain partner. The companies say the partnership will provide media companies better transparency into their content workflows to maximize revenues, reduce costs, increase efficiencies, and get complete visibility and control over where and how television and movie titles are being distributed, both on a global scale and in real-time.
Deluxe Entertainment Services today launched One Dub, a remote audio cloud recording tool that brings professional, frame-accurate audio recording directly to the web browsers of voice actors, technicians and directors. A module of the Deluxe One platform, One Dub One Dub leverages Amazon Web Services cloud technology to provide a flexible and seamless experience to creative teams, post-production facilities and dubbing studios as they acclimate to working remotely in response to the COVID-19 pandemic.