As Netflix, Disney, Amazon, and Apple battle for the estimated global $1 billion over-the-top subscription market, one company – Magine Pro, an OTT platform for mid-tier market video-on-demand and TV content – is asking the question: Will the VOD market be The Battle of the Global Giants or is there room for thematic streaming services that all together could create a wider diversity in the market? Put another way, is there enough consumer demand for specialist services for sports, kids programs, genre-specific series and movies, food and cooking services etc to make it a sustainable business?
On Demand TV
Nagra’s IP Blocking solution has won the top spot in the Protecting Content and its Value category of the Videonet Connected TV awards.
The International Union of Cinemas (UNIC), the body representing European cinema trade associations and operators, today issued a statement condemning Universal Studios' reported decision to stream movies the same day they are released to theatres. Here is the UNIC statement:
The Movie Studio, a vertically integrated motion picture production company, has signed a licensing agreement with FilmHub, an online marketplace for film creators and streaming services. Per the agreement, The Movie Studio will license FilmHub’s catalog for viewing on The Movie Studio App, which is available on Google Play and the App Store. The Movie Studio will also license its catalog to FilmHub for distribution via its online film marketplace.
Wez Merchant, the founder and managing director of the public relations company Strike Media has a plan to support motion picture distributors during the COVID-19 crisis. He is launching a free newsletter that would include all the home entertainment, video on demand and premium video on demand movies being released each week.
The Göteborg Film Festival’s video-on-demand platform Draken Film has launched a selection of newly released films in collaboration with leading Swedish distributors and is donating half of the revenues from new subscribers to independent Swedish art-house cinemas.
Netflix in 2019 launched about nine times as much original programming as its chief video-streaming rival Amazon, reflecting the divergent business models of the two companies, a new study shows. Last year, Netflix released 2,701 hours’ worth of original programming, compared to just 314 hours for Amazon Prime Video, according to the Omdia Original Online Production Report – 2020.
Post-production finishing for the first season of El Club, Netflix’s new young adult dramedy, was recently completed at Cinematic Media in Mexico City. The country’s only full-service facility focused exclusively on cinema and television post, the company handled both sound and picture finishing for the series, now available through the streaming service in Mexico and other Spanish-speaking markets.
The Netflix series GLOW, which launched its 10-episode third season in August 2019, brings the Gorgeous Ladies of Wrestling to Las Vegas and the fictitious Fan-Tan Hotel and Casino. The production captures the personal and professional lives of a group of women who perform for a wrestling organization that started in Los Angeles but now find themselves in glitzy Las Vegas during the 1980s. Cinematographer Chris Teague met with show creators, executive producers and episode writers Liz Flahive and Carly Mensch to pitch his ideas for the new look of GLOW for its new Las Vegas setting, which is where they realized that everyone was on the same page.
In an intensive, one-night-only workshop, Goldcrest Post and CinePointe Advisors will teach filmmakers everything they need to know about delivering their projects for cinema, streaming and broadcast. The event will provide a complete overview of the film delivery process, encompassing evolving technical requirements, complex legal considerations and essential project management skills. Participants will learn how to save time and money, while ensuring their deliverables conform to the latest industry standards. Titled Demystifying Film Delivery: What Every Producer Should Know, this can’t miss workshop is scheduled for Wednesday, February 5th at Goldcrest Post in Manhattan.