Jimmy Chin and Elizabeth Chai Vasarhelyi's film, The Rescue tells the story of the 2018 Tham Luang cave rescue in which twelve boys from the Wild Boars Football club and their coach were trapped in a flooded cave complex in Thailand. Documenting the huge risks taken by a team of specialist divers during the rescue, the production combines documentary footage with painstaking dramatic reconstructions shot by top underwater cinematographer Ian Seabrook.
The FX original series The Old Man stars Jeff Bridges as the eponymous lead, former CIA operative Dan Chase, whose off-the-grid existence is rudely interrupted when an intruder breaks into his home. The confrontation sets off an epic game of cat and mouse, forcing Chase to go on the run as multiple parties seek to either bring him in or take him down. Sean Porter served as lead cinematographer for the series’ first season and shot four of the seven episodes, with Jules O’Loughlin, ACS, ASC and Armando Salas, ASC handling the remainder.
11 Dollar Bill has added filmmaker Matt Mooney to its creative team in Boulder. With experience as a cinematographer, editor, and motion graphics designer, he will serve as creative lead for advertising, branded content, and other projects.
Earlier this month Zeiss hosted the Women in Media WIM + ZEISS Altitude Awards Ceremony to celebrate the recipients of the prestigious annual honors, which are dedicated to promoting gender balance in the film and entertainment industries. Cinematographer Eszter Csepeli was the top winner.
Star Trek: Strange New Worlds is spin-off from Star Trek: Discovery and a prequel to Star Trek: The Original Series, Strange New Worlds follows Captain Christopher Pike and the crew of the USS. Enterprise. Cinematographer Glen Keenan, CSC, wanted to give the show the most organic, non-studio look to convince the audience they were seeing a real location.
The American Film Institute has announced a call for applicants for the 2022 Cinematography Intensive for Women presented by Panavision. Returning after a two-year hiatus due to the pandemic, the four-day program will be held on the AFI Campus in Los Angeles on Friday, July 15 through Monday, July 18. Designed for aspiring cinematographers, the goal of the program is to provide participants with a toolkit to secure on-set experience in the field and first-hand industry insights demonstrating the path to professional career success.
Color grading and editorial finishing for A Father’s Son, director Patrick Chen’s short film about the murder of a teenage boy in Manhattan’s Chinatown, was completed at Nice Shoes in preparation for its world premiere at the 17th Annual Disorient Asian American Film Festival in Oregon. Colorist Phil Choe worked with Chen, cinematographer Jason Chew and editor Xiaoya (Patricia) Ma in polishing the look of the film.
Arri will support the Canadian Society of Cinematographers’ The Future is Calling campaign with a contribution of $300,000 in Canadian currency. The $3.75 million campaign, launched in November, will support a national outreach, education, internship, and online educational program to break down barriers marginalized communities face in accessing jobs in the film and television industry. The campaign has received support from the industry, government, and philanthropic funders. More than half the goal has been pledged to date.
Greig Fraser, ASC, ACS won the feature film award for Dune: Part One at the 36th American Society of Cinematographers Outstanding Achievement Awards. The event also celebrated Pat Scola for Pig in the Spotlight Award category, and Jessica Beshir for the documentary Faya Dayi.
For the small budget adventure-thriller Nine Bullets, cinematographer Byron Werner wanted to be true to the intimate nature of the film, while elevating the look to that of a bigger budget project. Dealing with COVID restrictions added to the challenge.