Éclair today announced the signing of a framework agreement with Gaumont for the restoration of more than 100 feature films. The contract will cover a three-year period and calls 25 to 40 films to be restored annually.
The Digital Asset Symposium, presented by the Association of Moving Image Archivists, has added several panel discussions to its May 5 program lineup. The DAS brings together top experts in various fields to address the ongoing challenges facing digital asset management practitioners. The event is being held at the Museum of Modern Art in Manhattan.
Lightyear Entertainment has announced the release of the newly-restored 30th anniversary edition of its groundbreaking multi-director film Aria. In Aria, ten of the world’s most creative and celebrated directors were each given the same brief: to choose a piece of opera music and then present a visual interpretation of that music with complete artistic freedom. Music was sourced from the massive RCA Red Seal catalog; the score features some of the world’s best opera singers.
MTI Film has released DRS Nova 2.3, an upgrade to its software for digital film restoration. The new release includes a host of new and enhanced features created in response to requests from restoration professionals worldwide. All are aimed at making such tasks as dust busting, image stabilization and de-warping faster and easier.
MTI Film recently completed an all-new 4K restoration of director Lewis Milestone’s 1931 film The Front Page. The months-long project was conducted for The Academy Film Archive and The Film Foundation, with MTI Film’s restoration team working under the direction of AFA director Michael Pogorzelski and film preservationist Heather Linville.
Roundabout Entertainment recently collaborated with Paramount Pictures and Park Circus on a luminous, 4K-restoration of Franco Zeffirelli’s 1968 classic Romeo and Juliet. The restored film is currently enjoying a new theatrical run as part of Shakespeare Lives, a worldwide program of special events commemorating the 400th anniversary of the Bard’s death. The project was made possible through funding from the British Council and the British Film Institute.
The 38th edition of The Reel Thing, a three-day symposium addressing audio/visual restoration and archiving, will explore the constantly evolving ecosystem of film and digital restoration and preservation. This year's program will examine legacy film restorations and showcase modern technologies being used to future-proof collections and keep them viable for future display and distribution formats. The event will take place August 18-20 at the Academy's Linwood Dunn Theater in Hollywood.
The Association of Moving Image Archivists and Alamo Drafthouse, in partnership with The Film Foundation, will host a three-day film projection workshop offering expert-led training for managers, curators and projectionists in the proper presenting of 35mm film in theaters. The hands-on, educational event will be held August 22-24 in Austin, Texas, at the Alamo South Lamar location. Additional partners supporting the symposium include Kodak and Boston Light & Sound.
Universal Pictures premiered the restored 1929 silent film classic The Last Warning June 4 at the Castro Theater as part of the San Francisco Silent Film Festival. Directed by Paul Leni and starring Laura La Plante, The Last Warning is a dramatic horror centered on an unsolved murder during a theatrical performance and the revival production meant to solve the mystery. This restored version is a part of Universal's silent restoration initiative announced last year.
In a project for 20th Century Fox spanning nine months, Roundabout Entertainment restored and remastered the first eight seasons of the classic procedural police drama NYPD Blue. More than 170 one-hour episodes were scanned and finished in 2K, restoring the show to pristine quality for a new domestic release.