The Color of Espionage

Thu, 11/05/2015 - 11:38 -- Nick Dager

When it came to grading The Americans, where the central characters live a double life, colorist John Crowley knew he would need to create some distinctive looks. He used one of Technicolor PostWorks New York’s Baselight systems to grade series two and three of the New York-shot, 1980s-set show, working closely with director of photography Richard Rutkowski.

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