Visual Effects

RSP Produces 200 Effects Shots for Hawkeye

Tue, 02/01/2022 - 09:27 -- Nick Dager

Rising Sun Pictures produced nearly 200 visual effects shots for the new Marvel Studios series Hawkeye, which recently debuted on Disney+. The studio’s work included the reproduction of an actual New York City neighborhood visible outside an apartment where much of the series takes place. Rendered in extraordinary detail, the urban exterior is seen in daytime and nighttime contexts and under varying weather conditions, including a snowstorm.

The Effects of La Fortuna

Tue, 01/18/2022 - 11:30 -- Nick Dager

The Madrid-based digital post-production company Twin Pines was responsible for the visual effects in La Fortuna, the new Movistar+ series directed by Alejandro Amenábar. Overall, the series contains around one thousand digitally retouched shots which called for a year’s work to recreate underwater scenes, an epic naval battle, and a road journey in the United States, among many other sequences.

ASC Completes StEM2 Test Packages

Wed, 12/15/2021 - 10:36 -- Nick Dager

The American Society of Cinematographers has completed its Standard Evaluation Material II project. The short film is an initiative by the organization to provide standardized viewing material designed to aid in the development and calibration of technology impacting the modern imaging chain. StEM2 test packages will be available in early 2022 to download for free in all common theatrical and home TV formats.

Made in New York

Tue, 12/07/2021 - 11:39 -- Nick Dager

Fittingly for a film rooted in Broadway, post-production on the feature film Tick, Tick … Boom! was largely completed in New York City by members of the Post New York Alliance. Visual effects house Phosphene used its wizardry to reconstruct several of Larson’s hangouts from the 1990s and help the production overcome the challenges of filmmaking during the covid pandemic. Picture finishing, meanwhile, was executed wholly at Company 3, where award-winning colorist Stephen Nakamura worked with Miranda and cinematographer Alice Brooks, ASC to finetune the dreamlike imagery used to tell Larson’s story.

King Richard Edited at Hulu Post

Mon, 11/29/2021 - 11:32 -- Nick Dager

Hula Post, a woman-owned post-production company, supplied editing systems for King Richard, a biographical drama following the life of Richard Williams, the father and coach of tennis pros Venus and Serena Williams. Hula Post provided Avid workstations, storage, workflow design, creative editorial space, and remote editing systems. King Richard reunited Oscar-nominated editor Pamela Martin, ACE, and Hula Post once again.

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The Muppets Discover ARFX

Tue, 11/09/2021 - 09:39 -- Nick Dager

Virtual production is gaining more traction in the motion picture business. One example? The recent collaboration of several companies came together for both practical and creative reasons to bring the Disney+ feature the Muppets Haunted Mansion to life. “The Muppets and ARwall are a perfect fit,” says Rene Amador, co-founder and CEO of ARwall. His company creates virtual production technology for its own use and in turn markets it to other filmmakers. Its first product is ARFX, a suite of real-time tools developed natively for using real-time in-camera LED effects in scripted filmmaking.

Managing Stowaway's Workflow

Mon, 11/08/2021 - 11:57 -- Meagan Keane

Netflix’s Stowaway, starring Anna Kendrick, Daniel Dae Kim, Shamier Anderson and Toni Collette, follows a space mission that is headed to Mars when an unintended stowaway accidentally causes severe damage to the spaceship’s life support systems. Facing dwindling resources and a potentially fatal outcome, the crew is forced to make an impossible decision.

Rising Sun Pictures Adds Staff for VFX Artificial Intelligence Initiative

Mon, 11/01/2021 - 10:37 -- Nick Dager

Rising Sun Pictures has added two post-doctoral researchers from the Australian Institute for Machine Learning to lead a new initiative centered on the application of artificial intelligence to its visual effects pipeline. Dr. John Bastian and Dr. Ben Ward will develop pipeline tools based on machine learning and other AI applications as a means of streamlining visual effects production and creating visuals that look more photorealistic.

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