The Last Waltz (1978), Singin’ in the Rain (1952) and several other classics represented by Park Circus will feature as part of the Cinéma de la plage program, a series of free screenings at the Cannes Film Festival, taking place each evening in an open-air theatre on the Macé beach. The festival runs May 17-28.
High Dynamic Range
The winning films in the Dolby Institute x Ghetto Film School Filmmaker Finish the Script Challenge were screened late last month in separate events in Los Angeles and New York. The winners are Alejandra Araujo of Jamaica, New York for Shipped Out; Eleanor Cho of Artesia, California for Dinner is Ready; Antonio Salume of Mexico City, Mexico, and Amy B. Tiong of Waterbury, Connecticut for Take Care Zora; and Christian Osagiede of Los Angeles, California for Hunted.
Netflix’s Sweet Magnolias is a dramatic romance tale set in the South about three lifelong friends navigating their personal and professional priorities and relationships alongside one another. Sweet Magnolias cinematographer Brian Johnson is a Gemini Award nominee, a two-time Golden Sheaf award winner and recipient of two Leos, whose resume includes The Killing, and You Me Her, to name a few. He was joined on the series by Tyler Blackwell, digital imaging technician, whose credits include One Night in Miami…, Ant-Man and the Wasp, and Women of the Movement, among others. Johnson shot with a Sony Venice full-frame digital cinema cameras. Blackwell follows the production on a combination of Sony PVM-X2400 and BVM-HX310 4K high dynamic range monitors.
The American Society of Cinematographers has completed its Standard Evaluation Material II project. The short film is an initiative by the organization to provide standardized viewing material designed to aid in the development and calibration of technology impacting the modern imaging chain. StEM2 test packages will be available in early 2022 to download for free in all common theatrical and home TV formats.
Southern California-based Arcadian is a specialist in creating and managing workflows to produce streaming content. It offers expertise in transcoding and interoperable media format packaging, ensuring that content is ready for delivery to consumers according to the specific protocols, formats and packaging requirements of individual streaming services. The workhorse tool the company uses to accomplish that task is Cortex from MTI Film.
Red Digital Cinema unveiled the new V-Raptor 8K VV camera today, launching its first entrant into the next generation DSMC3 platform. The company says the camera is Red’s most powerful to date. It features the highest dynamic range, fastest cinema-quality sensor scan time, cleanest shadows, and highest frame rates of any camera in its lineup. It is designed to provide unmatched performance for a variety of shooting scenarios.
Big Pic Media has delivered 4K high dynamic range monitoring, display calibration and mastering systems to Evolutions, one of Britain's largest independent post-production companies. The project forms part of ongoing investment in new resources. It includes four Sony BVM-HX310 4K HDR master monitors, an MTI Film Cortex Enterprise mastering and validation system and a Portrait Display Calman Ultimate display calibration bundle.
Cardiff-based film and video post-production house Gorilla has chosen an MTI Film Cortex Enterprise mastering and validation system for a new 4K high dynamic range mastering suite at its recently expanded GloWorks facility. Supplied by MTI Film distribution partner Big Pic Media, the Cortex forms part of Gorilla's investment in new 4K HDR technology.
Nominated for two Golden Globes, including one for first-time director Regina King, the film One Night in Miami… explores the dialectic that might have ensued between four young, famous Black men in 1964 as they each stood at a personal crossroads within the larger context of the civil rights movement. The film was shot by cinematographer Tami Reiker, ASC.
Catherine Meininger is a color scientist at Portrait Displays in Edmonds, Washington. She graduated from the Rochester Institute of Technology in 2018 with a Bachelor of Science degree in Motion Picture Science. “I’ve always had an interest in audio and video post-production and thought for the longest time that my career was going to be video editing,” she told me in a conversation via email. “However, while attending college, I discovered an industry where I could use my skills in math and science alongside my creative interests, and ended up finding a career that pleased both the left and right sides of my brain. I still practice audio and video editing on the side, but my main passions now lie in color science and psychophysics.” She is also already a longtime member of the Society of Motion Picture and Television Engineers and is a SMPTE volunteer and two-time presenter at the associations' annual Fall conference.