Europe

Hammerspace Expands European Presence

Mon, 02/28/2022 - 11:54 -- Nick Dager

The data company Hammerspace has expanded its European presence to provide organizations with ability to consolidate datacenter and cloud storage while orchestrating global data to decentralized applications and users. Today, more than 35 percent of the Hammerspace customer base is in Europe, the Middle East and Africa. EMEA growth has been fueled by the availability of the Hammerspace software in local regions of AWS, Azure and Google Cloud. The company says the addition of a London-based hub, local sales team, and a new distribution partner enables it to support its EMEA customers most effectively and accelerate business in high-growth markets.

European Box Office Showed Signs of Recovery in 2021

Tue, 02/15/2022 - 11:22 -- Nick Dager

Based on preliminary data the European Audiovisual Observatory estimates that cinema attendance in the European Union and the United Kingdom increased to 383.2 million tickets sold in 2021. This is 83.8 million admissions more than in 2020, representing a year-on-year growth of 28 percent. The rebound was less pronounced in the European Union only (EU27), where ticket sales increased by 21 percent to 309.2 million admissions, 53.8 million visits more than in the previous year.

Most Kino Installing CinemaNext Sphera

Thu, 02/10/2022 - 10:38 -- Nick Dager

Ukraine’s Most Kino is installing CinemaNext’s Sphera premium cinema concept at its theatre in the Most Shopping Mall in Dnipro. Scheduled to open this summer, Sphera at Most Kino will boast a 26-meter-wide wall-to-wall screen, making it the largest screen ever built in Ukraine and the biggest Sphera auditorium designed to date.

Europeans Returning to Cinemas in Steadily Growing Numbers, UNIC Reports

Mon, 02/07/2022 - 11:13 -- Nick Dager

The International Union of Cinemas (UNIC) today released preliminary 2021 box office and admissions estimates for the territories covered by the organization. While these figures are based on initial estimates, the overview provided by UNIC represents the first wide-ranging assessment of the performance of the European cinema sector in 2021. More detailed final data on the performance of each individual UNIC territory will be released later in spring 2022.

Writers Lab Europe Gains New Supporters

Mon, 01/31/2022 - 09:35 -- Nick Dager

The Writers Lab Europe has received support from Fremantle and HBO Max, Nordic for the first virtual script development program of its kind for women over 40. Submissions are open now until February 7. The Writers Lab, produced by co-founders Elizabeth Kaiden and Nitza Wilon, is the only program devoted exclusively to script development for women and non-binary writers over 40.

New Hallström Film Shot in Vilnius

Mon, 12/06/2021 - 11:56 -- Nick Dager

Director Lasse Hallström and production company Viaplay Studios transformed Vilnius, the capital of Lithuania, into 19th and early 20th century Stockholm for his latest biographical movie Hilma about Swedish artist and activist Hilma af Klint. The drama revolves around Klint’s non-traditional art and spirituality, which made her a standout Swedish artist and one of the first abstract art creators in the western countries.

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Göteborg Film Festival Returning with Live Screening

Mon, 11/08/2021 - 10:00 -- Nick Dager

The Nordic region's largest film festival is happy to return to the cinemas in Göteborg next year. Due to the pandemic, the 2021 edition of Göteborg Film Festival became a digital event. The digital edition turned out to be a great audience success with visitors from all over the country. Therefore, Göteborg Film Festival 2022 will show films both in cinemas and online from January 28 through February 6, 2022.

EGA Finds Localization Issues Hampering Creative Community

Mon, 11/08/2021 - 09:54 -- Nick Dager

The Entertainment Globalization Association has released a report on consumer viewing habits of localized content versions. The EGA, working in part with Whip Media, surveyed more than 15,000 consumers from France, Italy, Germany, and Spain (FIGS) regarding their viewing habits on streaming platforms. The overall findings indicate that 61 percent of respondents encountered poor localization quality on a monthly basis, and perhaps more concerning, that nearly 65 percent have stopped watching a movie or TV show in the last year as a result.

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