Though the numbers are certainly on an upward trend, it’s still rare to find women in professional audio, especially one as prominent as Sara Glaser, CAS. Having gotten her start in the industry in college as a recording engineer nearly 20 years ago, Glaser’s major successes can be found in her work as a production sound mixer for feature films and episodic television. Some of her most recent credits include Westworld, Grey’s Anatomy, Feud: Bette and Joan and the Netflix feature film, Rim of the World.
When Chicago-based Periscope Post & Audio launched its Hollywood facility last year, it was targeting Southern California’s boom in film and television production. But the building that houses Periscope, previously occupied by another full service post house, needed a serious upgrade. Enter sound studio specialist Kaiser Comm Construction. Today the 22,000-square-foot facility offers complete sound and picture finishing resources tailored to meet today’s highest standards, especially among streaming services like Netflix and Amazon, which often require shows delivered in high dynamic range with immersive Dolby Atmos soundtracks.
STMPD Recording Studios in Amsterdam recently completed an extensive three-year renovation, bringing its total number of studios to eight, including a 135 square-meter Dolby Atmos Premier Studio. With just nine Dolby Atmos Premier studios in the world, and only two others in Europe, STMPD recording studios joins a very exclusive club.
Deluxe Entertainment Services today launched One Dub, a remote audio cloud recording tool that brings professional, frame-accurate audio recording directly to the web browsers of voice actors, technicians and directors. A module of the Deluxe One platform, One Dub One Dub leverages Amazon Web Services cloud technology to provide a flexible and seamless experience to creative teams, post-production facilities and dubbing studios as they acclimate to working remotely in response to the COVID-19 pandemic.
As one of the industry’s most respected audiophiles, award-winning re-recording mixer, sound editor and sound designer Ruy Garcia is passionate about using only the best audio equipment for his craft. Among his most recent credits was the surround mix for the Netflix release of 2019’s Midsommar.
In response to the rapidly changing needs of the industry, Nugen Audio has launched a digital initiative to support the audio and production community through the COVID pandemic. Aptly dubbed Staying Home, Staying Creative, the program is aimed at promoting collaboration and creativity in a time of social distancing. Included among Nugen’s efforts are a variety of videos, interviews and articles that will inspire new artistic approaches for post-production workflows. The company is also providing temporary replacement licenses for any users who do not have access to their in-office workstations.
Ana Monte, lead sound designer and Daniel Deboy, lead sound engineer founded Delta Soundworks in Heidelberg, Germany in 2016. The company is a 3D/immersive audio post-production facility with projects that span across installations, virtual reality, 360-degree films and gaming, as well as feature films, documentaries, TV shows and commercials. Their team consists of a highly skilled and creative group of production sound mixers, recording engineers, sound designers, Foley artists, composers and music producers. Digital Cinema Report recently spoke with Monte and Deboy about their business and some very interesting projects.
For more than 10 years, production sound mixer and location sound recordist, David Thirion, has been using DPA microphones to capture audio for film and television projects. Their audio quality and natural sound was a key reason for his choice, but equally important was the tiny size of some models, which makes them ideal for situations where they need to be hidden on actors’ bodies or in costumes.
Leading independent Foley studio Alchemy Post Sound has elevated Ryan Collison to partner, joining founders Foley artist Leslie Bloome and CEO Andrea Bloome. Part of the Alchemy team for the past six years, Collison is an Emmy Award-winning Foley mixer whose many credits include such recent projects as The Last Days of American Crime, The Invisible Man, Harry Haft and Fosse/Verdon.
Seventeen years after Bad Boys ll, the Bad Boys Mike Lowrey (Will Smith) and Marcus Burnett (Martin Lawrence) teamed up again for one last ride in Sony Pictures’ worldwide box office hit, Bad Boys for Life. Car chases, gun battles, explosions and other forms of mayhem—all requiring robust sound treatment—occur throughout the film, but the story is driven by the hilarious bad-boy banter between Mike and Marcus. Capitalizing on every twist and turn of the action sequences while allowing the humor to punch through was a challenge for the sound artists.