Recording Sound

Sony Pictures Adds Dubbing Stage

Tue, 11/22/2016 - 11:54 -- Nick Dager

Responding to the growing popularity of home theater systems with immersive sound, Sony Pictures Post Production Services has added a new mix stage dedicated to next-generation home theater audio formats. Located on the Sony Pictures lot in Culver City, the new stage is designed to simulate a home theater environment and equipped to master feature film and television projects in Dolby Atmos, Auro-3D and other immersive sound formats. This new room has been used to prepare several feature titles for Blu-ray Disc, 4K Ultra HD Disc, and digital delivery.

Considering Post Before Production

Wed, 11/09/2016 - 11:29 -- Nick Dager

Still Devout is a new AFI Thesis film written and directed by Melissa Perez, which follows the story of a young woman who embarks on a heart-wrenching journey to help find answers and healing for her brother’s mental illness. To help optimize the film’s production workflow in preparation for post-production, Perez met with Burbank-based AlphaDogs for a personalized post consultation before the film was shot.

Zoom Unveils F4 MultiTrack Field Recorder

Tue, 09/06/2016 - 11:48 -- Nick Dager

Zoom North America today unveiled the F4, a six-input/eight-track field recorder that the company says offers creators Hollywood-quality sound for film at an unprecedented price. With four super-low-noise mic preamps, precise time code and a solid metal build, the F4 is the ideal recorder for creators looking to take their filmmaking projects to the next level.

MPSE/CAS Golf and Poker Tournament Tees Off September 18

Tue, 08/02/2016 - 12:46 -- Nick Dager

The Motion Picture Sound Editors and the Cinema Audio Society will host the 8th Annual MPSE Golf and Poker Tournament, September 18 at the Angeles National Golf Club in Sunland, California. Proceeds from the event will benefit the MPSE’s Ethel Crutcher Scholarship Fund, which provides mentoring and support for student sound artists, as well as the organization’s work in promoting the role of sound in movies, television, gaming and other entertainment media.

Factory Makes a Sound Investment

Mon, 06/20/2016 - 13:12 -- Nick Dager

Founded in London in 1997, award-winning Factory Studios has produced the sound for projects by many high profile clients, including EE, O2, Renault, Nike, Three, eBay, Sainsbury’s, Tesco, Harvey Nichols, BT, Sony and Samsung. Last year it became the first UK facility to include a Dolby Atmos-licenced suite for commercials and trailers, which features 35 Alcons CRMS Cinema Reference Monitor System speakers.

Ymagis Acquires Christa Kistner Synchronproduktion

Thu, 06/16/2016 - 11:32 -- Nick Dager

Ymagis Group has acquired Berlin-based Christa Kistner Synchronproduktion, one of Germany’s leading dubbing companies for the cinema and television industries. Under the terms of the agreement, Ymagis SA, through one of its wholly owned German subsidiaries, becomes the sole shareholder of Christa Kistner Synchronproduktion. Christa Kistner remains in her functions as its managing director.

A Sound Addition to the Mix

Wed, 06/15/2016 - 11:59 -- Nick Dager

Scott Farr is one of the busiest and most sought after production sound mixers in Southern California. So he’s quite familiar with the rigors of carrying his audio kit over a long day of work.“The trick”, he explains “is how to best carry the weight in the front, and distribute it evenly so you don’t tear up your back, while keeping your shoulders free. And you have to be able to easily interface with your equipment.” Farr was one of the first to use the new K-Tek Stingray Harness, designed specifically for carrying and working with front-mounted audio bags filled with equipment.

Crafting a Classic New York Romance

Fri, 06/03/2016 - 11:43 -- Nick Dager

Post work for director Rebecca Miller’s new romantic comedy Maggie’s Plan, currently in wide release from Sony Pictures Classics, was a labor of love for Technicolor PostWorks New York. A long-time supporter of independent film, the facility furnished suites and systems to picture editor Sabine Hoffman and her crew. It also provided resources for dailies processing, editorial finishing, color grading, sound mixing and deliverables. The project involved months of concentrated effort, spanning pre-production through the film’s world premiere at the Toronto International Film Festival.

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