QSC is now shipping its DPA-Q Series network power amplifiers four- and eight-channel models.
JBL Professional today announced the DSi 2.0 Series cinema amplifiers, the first ever JBL branded cinema amplifiers. The DSi 2.0 Series builds on the legacy of Crown DSi Series amplifiers to combine the DSP of Crown’s CDi DriveCore Series amps with a new high-power design to deliver superior efficiency, reliability and audio fidelity. The DSi 2.0 Series includes three power configurations—350W, 700W and 1,200W—available in analog and analog-plus-digital versions with Dante/AES67 and SNMP connectivity.
For as long as he can remember, producer/mixer Alvin Wee has loved music and film; and he was fortunate enough to cut his teeth working with composers and record producers in Los Angeles on film projects such as Kung Fu Panda, Kingsman and Eddie the Eagle. Having such a strong background in the industry, Wee takes pride in knowing that when someone hands a project off to him it will be done correctly, and well.
Visual Data Media Services, the West London provider of digital supply chain services to global content owners and distributors, has announced the opening of a new digital screening room. The new facility is fully 4K and Dolby Atmos capable and comprises a 10-seat theatre built around a NEC 4K projector and fed by a Doremi digital cinema server. A Dolby Atmos CP950 sound processor is linked to JBL speakers and Crown amplifiers.
Cineworld has renovated its Newport Spytty Park theatre with three premium formats to create the most immersive cinema in Wales. Mo Williams, general manager of Cineworld Newport Spytty Park said, “We are absolutely delighted to be the first in the area to open 4DX, ScreenX and Superscreen [auditoriums] in the one cinema. I can’t wait to welcome movie fans from Newport and beyond to visit the most immersive cinema in Wales.”
Supercines, Ecuador’s leading cinema chain, has opened a new eight-screen multiplex in the Ambato shopping mall equipped with Christie Vive Audio and Christie RGB pure laser cinema projectors, the first of their kind in the country. The multiplex lobby also uses 60 Christie Access LCD panels to advertise upcoming movies and promotions.
QSC has named Ian Freer field sales engineer (cinema), APAC. In his new role, Freer will be primarily responsible for product support in the Asia Pacific region. He brings a comprehensive career of technical support knowledge, with over twenty years of roles in the cinema industry.
William Chan has joined QSC as senior director, North Asia, reporting to Markus Winkler, senior vice president Asia and EMEA. In this newly created role, Chan is responsible for sales and business operations in the North Asia region, including a focus on driving new revenue growth in Greater China and Japan for QSC’s live sound, cinema, and systems portfolios.
This week DTS released its DTS:X Immersive Audio Bitstream software development kit to its cinema partners. The company believes the move strengthens its position as the motion picture industry creates the interoperable IAB content and device ecosystem needed to provide a true immersive sound experience in theatres.
Combining one of the oldest architectural designs in the Western world – the amphitheatre – with some of the most advanced motion picture exhibition technology available today may sound like a great idea for a new movie theatre. Applying that concept to an existing theatre, though, makes the challenge seem truly daunting. But that’s exactly what happened when B&B Theatres acquired an old movie house in Overland Park, Kansas and set about the work of making it their own. The result is the world’s second largest ScreenX auditorium and its first ScreenX Amphitheatre, complete with a unique approach to the DTS:X sound system.