With the increasing use of large-format single-sensor 4K cameras for field productions like sports and nature documentaries, Canon has introduced the new ultra-telephoto Cine-Servo 50-1000mm T5.0-8.9 Ultra-Telephoto Zoom lens.
Post-production work for The Equalizer the new thriller from director Antoine Fuqua and Columbia Pictures was completed on the Sony Pictures lot in Culver City, California.
A Codex 4K recording system has been launched into space for a forthcoming IMAX production, and will orbit the Earth for the next twelve months.
Sharp Electronics has integrated Verance Corporation’s Cinavia technology into the new Sharp Aquos TU-UD1000 4K set-top box, the first 4K-device that receives, records and plays back 4K broadcast content.
Grupo Secuoya, one of Spain's major production companies, has installed a Mistika DI 4K system with DCP creation capabilities from SGO, to enhance their post-production department. Grupo Secuoya provides communication services for production companies, TV channels and many other industries.
Pakistan post house Darkroom Asia has won a major contract with ARY Films as a strategic partner in providing post-production and VFX-related services. Darkroom Asia CEO Salman Hasan credits the company’s new SGO Mistika 4K system with sealing the deal. The first project was the feature film Main Hoon Shahid Afridi, which some say marks the rebirth of the Pakistan film industry.
Kicking off the 2014 season of Canada’s Triple Crown of Thoroughbred Racing, Toronto’s Woodbine Racetrack hosted The Queen’s Plate Stakes last month. The event is the longest continuously run stakes race in North America, and this year marked its 155th anniversary. To ensure not a moment of horseracing action was missed, the production of the event included use of For-A’s FT-One 4K variable frame rate camera, used in conjunction with For-A’s ZE-One 4K extraction system.
The Room, the boutique finishing facility located within Technicolor-PostWorks, New York, recently completed two months of post-production finishing on The Giver, the new film from director Phillip Noyce and The Weinstein Company. In a project involving numerous creative and technical challenges, the facility handled editorial conforming and color grading. The latter included applying the finishing touch to an onscreen world that undergoes a gradual transition from black & white to color.
Christie, through a generous donation of equipment and installation services, will be the sole provider of all cinematic and audio equipment within the University of Southern California’s School of Cinematic Arts Eileen Norris Theatre, and will be working together with USC SCA in enhancing visual technologies, specifically cinematic ones.
Los Angeles-based Juan Ignacio Cabrera recently handled the post-production for the second and third seasons of Chosen, the most successful show on Sony's Crackle TV network.