Created by Alex Gregory and Peter Huyck and directed by David Mandel, the five-part miniseries White House Plumbers shines a fresh light on the real-life comedy of errors that burst out of the infamous Watergate scandal. Light Iron provided dailies and final color for the project, which reteamed cinematographer Steven Meizler and supervising colorist Ian Vertovec.
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In October 1948, Jesse Brown became the first African American to complete the U.S. Navy’s flight training program and received his Naval Aviator Badge. The feature Devotion, directed by J.D. Dillard and based on the bestselling book by Adam Makos, recounts the true story of Brown’s distinguished service, focusing on the year 1950, at the onset of the Korean War, when he and his fellow pilots in Fighter Squadron 32 deployed aboard the aircraft carrier USS Leyte, first to the Mediterranean Sea and then to the East Sea, off the coast of North Korea.
After a grim and gritty fourth season, the Showtime series The Chi returned to its more optimistic roots for Season 5, changing not only the tone of its stories but also the palette of its visuals. To finalize this look, Season 5 cinematographer Nathan Ray Salter collaborated with Light Iron colorist Katie Jordan, who had also graded Season 4.
Arriving in movie theatres in the summer of 1988, Coming to America starred Eddie Murphy as Prince Akeem Joffer from the fictional African nation of Zamunda. Upon learning that his parents, King Jaffe (James Earl Jones) and Queen Aoleon (Madge Sinclair), had arranged for him to be married, Akeem and his aide Semmi (Arsenio Hall) embarked on a journey to find the prince a bride with whom he could connect both emotionally and intellectually. Naturally, Akeem’s quest for the future queen of his nation took him to Queens, New York, and it was there that he met and fell in love with Lisa McDowell (Shari Headley). Directed by Craig Brewer, the sequel Coming 2 America finds Akeem and Lisa 30 years later and still happily married, now with three daughters of their own.
Nominated for two Golden Globes, including one for first-time director Regina King, the film One Night in Miami… explores the dialectic that might have ensued between four young, famous Black men in 1964 as they each stood at a personal crossroads within the larger context of the civil rights movement. The film was shot by cinematographer Tami Reiker, ASC.
In the early aughts, in a small Iowa town, Alice — a student at the local Catholic high school — enjoys watching Titanic and testing her knowledge of movie titles with word scrambles played in online chat rooms. When one of her internet encounters takes an unexpected turn, she suddenly discovers there’s pleasure to be had in pleasuring oneself. Not long after, she attends a four-day Catholic retreat, where she struggles to reconcile her nascent urges with the prospect of eternal judgment
When Los Angeles-based cinematographer Quyen Tran was selected to shoot the new film Palm Springs she knew she had a short production schedule, which made her pre-production planning even more critical than usual.
Post-production creative services provider Light Iron, a member of the Panavision family of companies, has opened a new facility in Atlanta to locally support the robust Georgia production community. The expansion is the fourth since Panavision acquired Light Iron in 2015, bringing Light Iron’s U.S. locations to six total, including Los Angeles, New York, New Orleans, Albuquerque and Chicago.
Panavision has introduced the Millennium DXL Camera, developed through an unprecedented combination of three companies’ contributions: large format optics and modular accessories from Panavision, a brand new 8K sensor from Red Digital Cinema, and new color science and optimized workflow from Light Iron.
Light Iron provided on-set color, data management, and final color for the celebrity-directed short films that premiered at the Canon Project Imaginat10n Film Festival last week at Lincoln Center in New York City.