Awards

Nominees Announced for 2023 FilmLight Color Awards

Tue, 10/17/2023 - 11:59 -- Nick Dager

FilmLight has revealed the nominees for the 2023 FilmLight Color Awards. In their third year, the awards attracted more than 400 entries from 45 countries across the globe and the independent jury of cinematographers, colorists and creatives – lead this year by Lawrence Sher, ASC – has announced a list of 22 nominees across five categories.

SMPTE to Honor Two with Progress Medal

Tue, 10/17/2023 - 11:55 -- Nick Dager

SMPTE, the society for motion picture producers, technology, and engineers, has announced the recipients for this year's Progress Medal. This year, John Christopher Gaeta and Kim Libreri will be recognized for their vast contributions to emerging technologies in cinema and beyond, including virtual cinema, volumetric capture, and most notably, Bullet Time, which was pioneered on the original Matrix film trilogy.

Submissions Open September 1 for 71st Annual MPSE Awards

Mon, 08/21/2023 - 13:02 -- Nick Dager

The Motion Picture Sound Editors today announced that submissions for the 71st Annual MPSE Golden Reel Awards will open Thursday, September 1. The Golden Reel Awards honor outstanding achievement in sound editing in categories spanning feature films, long-form and short-form television, animation, documentaries, games, and student work.

Cinematographer Lawrence Sher Talks about Color

Mon, 08/07/2023 - 11:02 -- Nick Dager

Lawrence Sher, ASC, is an American cinematographer and film director best known for his work on Joker (2019), Godzilla: King of the Monsters (2019), War Dogs (2016), The Hangover (2009) and Garden State (2004). He has just completed filming Joker: Folie a deux – the follow up to the 2019 film which comes out in 2024. Last month he was appointed as the president of the 2023 FilmLight Color Awards jury. The winners of the award will be announced in November at EnergaCamerImage. Sher recently spoke with Digital Cinema Report via email about cinematography, about the role of color in the filmmaking process and about the color awards themselves. Here is that conversation.

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